Bahamian art: Presenting. Uniting. Educating.
On March 22nd through July 29th, The National Art Gallery of The Bahamas presents the first of two historical surveys exhibitions that include works produced from 1856-1960 by visiting artists and expatriates, who were inspired by the then-colony's landscapes, people, luminescence, coastlines and seas and bustling lifestyles. Traversing the Picturesque: For Sentimental Value draws from several familiar and a few new collections to detail the breadth and scope of how The Bahamas has been framed within the popular global imagination and the impact of the colonial and outsider gaze on the development of a historical understanding of the nation.
In collaboration with the British Council, the NAGB will present the exhibition "We Suffer to Remain" featuring the evocative video installation "The Slave's Lament" by Scottish artist, Graham Fagen in tandem with visual responses by Bahamian artists Sonia Farmer, Anina Major and John Beadle. Fagen’s “The Slaves Lament” was exhibited at Scotland at the Venice Biennale in 2015 and "We Suffer to Remain" premise focuses on the fact that artists in postcolonial spaces have strong and embryonic reactions that can influence and build on the advancement and celebration of de-colonial art practices.
How do we define ourselves? What does a dialect do and, within that vernacular, what does our dissent sound like? “Hard Mouth: From the Tongue of the Ocean” is a look at the way language–both verbal and visual–has shaped The Bahamas and how we view ourselves. From the way we speak, to the way that we voice our discontent, to the way we envision ourselves as women and as part of the Black Diaspora, “Hard Mouth” is a call to the “biggity” and bold nature of Bahamians and a foray into how this archipelago, around the Tongue of the Ocean itself, finds its voice.
On Tuesday, July 3rd, the National Art Gallery of The Bahamas will showcase a collection of works for the first time by established and seasoned woodturner, Robin Hardy. The exhibition will include 20 pieces that are move between functional, practical and aesthetic objects including bowls, gourd-like structures and other wood pieces that move between benches and tables. The exhibition "Part Nature, Part Nurture" will be on view through Sunday, July 29th, 2018
The National Art Gallery of The Bahamas invites you to save the date for the upcoming 10-Year Survey of works by Lavar Munroe. On Thursday, September 13th from 7 pm - 10 pm, the NAGB will exhibit over 50 works created from 2008- 2018, focusing on the evolution of Munroe's creative practice and it's materiality move off the wall and into a richer dimensionality at once exploring the fragility and tenuous relations of the human condition, Blackness, the grotesque and the beautiful.
The National Exhibition 9 "The Fruit and the Seed" will open on Friday, December 14th, 2018 an run through March 31st, 2019. A socially curious project, “The Fruit and the Seed” centres around how artists are working to define their space and experiences. Whether it be through the lens of race, gender, parity and class as a way to clarify cultural, social and aesthetic decisions, the art-making process is used as a tool to bring to the fore ideologies on activism and advocacy, leading to a more empathetic and understanding culture.