The new permanent exhibition, Revisiting An Eye for the Tropics, reconsiders both the National Collection and local private collections in regards to the colonial gaze and our post-colonial lives today, and features the work of over 20 artists. Opening March 31, 2017 Revisiting An Eye for the Tropics is a look into how our visual representation as a nation throughout history has been shaped as a result of the desires of colonial era tourism.
The National Art Gallery of The Bahamas will produce and present a retrospective of Thierry Lamare's work entitled, "Love, Loss and Life. The exhibition opens on April 27th and runs through September 10, 2017 and features over 90 works from several local, regional and international collectors.
A retrospective focusing on the works of Bahamian Civil and Structural Engineer George Cox, The Unseen Structure showcases several important sites of development across New Providence and several family islands. The Unseen Structure will be informed by collaborations with architect Teran Nicholls and Patrick Rahming, former associates of Cox along with contemporary artists. Artists and collaborations in the exhibition will function as a way to strip away that layer, barrier, and partition with the people who live in an environment and the apparatus of it being.
"Übersee: Cuba and The Bahamas: Contemporary Art from the Caribbean" features the work of 38 Bahamian and Cuban artists whose work continue to confront ideas around consumption, tourism, economies, utopia and complex identities connected to the landscape and bodies.
On Thursday, June 22nd starting at 6 p.m., the National Art Gallery of The Bahamas will introduce emerging Bahamian artist and acclaimed RISD student Gabrielle Banks’ body of work ‘The Mark of a Woman’ in the Project Space Room. Banks’ actively comments and interrogates being a marginalized body and this functions as the continuous theme and conversation within her paintings. Many of the colors used in her palette express a nature of blackness that cannot be directly defined or restricted by societal standards and stereotypes. As a person of colour, she explores a complicated yet beautiful minefield which is provocative, rich and complex. The opening preview reception of Gabrielle Banks’ “The Mark of a Woman’ will take place on Thursday, June 22nd, from 6:00 p.m. to 7:30 p.m. Light refreshments and hors d'oeuvres will be served at the event. Come out and celebrate one of The Bahamas’ most exciting emerging artists.
The National Art Gallery of the Bahamas is proud to welcome and continue our ongoing partnership with the University of The Bahamas Art Programme. Under the guidance of Associate Professor and artist Heino Schmid, the selection this year welcomes two emerging Long-Island artists and budding educators, Blake Fox and Shanteena Simms.
Participating NE8 artist, Edrin Symonette's exhibition Residues of a Colonial Past will be on view at the NAGB from March 23rd - April 16, 2017, with a preview evening on March 31st to coincide with Transforming Spaces 2017.
Family Island access to the National Collection is of immense importance to the National Art Gallery of The Bahamas (NAGB). To answer the call of sharing Bahamian art with every citizen possible, the NAGB developed a travelling exhibition using the works of two iconic Bahamian masters, Maxwell Taylor and Amos Ferguson. This spring, MAXAMOS travels to the Abacos. We are grateful to the Hummingbird Cottage Arts Centre in Hope Town, our island partner, for being a magnificent host.
As a component of the National Exhibition 8, the PS Room will house three special projects and this month we continue with Abaco based artist Attila Feszt' "Fake Plastic Trees" which will be on view from February 21 through March 19, 2017.
As a component of the National Exhibition 8, the PS Room will house three special projects starting with Jeffrey Meris' "Asue" 20/20" from January 21 through February 12, 2017.
In Chantal Bethel’s Holey Space, we honor the matriarch, goddess, Atabey as she hunts, gathers, protects and glistens like gold in the shine of the sun. She is unmovable; the heroine, mother and the centre of her parable. Here she is already fiction, already lost, the frame of her body writhing on history pages, withering away slowly from our collective memory and what we are left with are traces.
Holey Space will be on view in the Project Space (PS) Room of the NAGB from October 27th through January 8, 2017.
Double Dutch brings together artists from the region and diaspora to produce provocative bodies of work through collaboration and exchange. The project works against ideas of nationalism and the insularity of our creative environs by creating an experimental hub to explore regional and diasporic culture, our creative acumen and sensibilities. the observer and the observed features work by Jamaican artist Deborah Anzinger and Bahamian artist Heino Schmid, each of them exploring ideas around representation, the body and how the gaze in effect changes ideas of relation, security, eroticism and social awareness.
Canadian-born, Nassau-based artist of twenty-five years, K Smith attributes his skill and artistic aptitude to the fact that his talent is generational. Passed on through generations, this ancestral understanding of creativity, attention to detail and innate skill has led him over the course of his 40-year practice, to create some of the most technical hyper-realistic images in graphite and color pencil in the Bahamas.
On Saturday, September 10 the NAGB will host a special unveiling of a K Smith's 2016 drawing from 3 - 5 pm with a champagne hour at 5 pm. The show will open on September 8, and runs through October 16, 2016.
The world is currently facing many ecological challenges relating to questions of resource, scarcity, pollution, climate change and risk. Such issues are amplified on fragile island communities. In this context, how should society and governments anticipate the future of citizens? What plans should be made?
Double Dutch brings together artists from the region and diaspora to produce provocative bodies of work through collaboration and exchange. The project works against ideas of nationalism and the insularity of our creative environs by creating an experimental hub to explore regional and diasporic culture, our creative acumen and sensibilities.
The Colour and the Shape will investigate the correlations between Bahamian artist Kendra Frorup and US-based, Puerto Rican artist Gabriel Ramos’ understanding and representation of cultural identity and its connection to childhood and growing up in the tropics.
Nowé Harris-Smith will be exhibiting a new body of work in the Project Space Room of the NAGB from July 7th through August 7th, 2016. The collection features a selection of paintings and photographs that deal with abstraction through the exploration of bodies and faces.
Art Supply Drive 2016 In August 2013, Doongalik Studios Art Gallery and The National Art Gallery of The Bahamas launched an annual community service initiative aimed at bridging the financial gap for art students attending government high schools in the country. Recent conversations with art educators had revealed that due to the high cost of materials, students were opting out of art courses or attending classes without even the most rudimentary supplies.
On Friday, April 29, the curators of EN MAS': Carnival, Junkanoo and Performance Art of the Caribbean, Claire Tancons and Krista Thompson, will lead a discussion on the exhibition. The two will discuss the concept of having a show that links performance art and street festivals with fine art. They will share details about the process that connected artists across many borders. Guests will be encouraged to think critically about the origins of particular elements of street festivals like carnival and Junkanoo that we often overlook, including the mask, the drum and the parade. The talk begins at 6 p.m. and all members of the public are invited and encouraged to attend.
En Mas’: Carnival, Junkanoo and Performance Art of the Caribbean, the exhibition’s Bahamian iteration, will be on view at the National Art Gallery of the Bahamas April through July 2016.
Meeting Livingstone Pratt one’s first impression is that here is a man who knows with certainty who he is and why he is here on this earth. He has an inner senses of quietude coupled with a strong sense of purpose which is quite compelling. In fact, it is almost tangible.
“From Columbus to Junkanoo” highlights the growth and divergence of Bahamian art beyond last century. We hope the showcase will challenge perspectives and assumptions and present a comprehensive representation of the different elements of the Bahamian story internally and with the world at large.
The NAGB is pleased to invite you to come down and view this dazzling body of works. 'R. Brent Malone: Reincarnation' – a retrospective exhibition spanning the entire gallery features more than 250 paintings, drawings, prints and sculptural pieces by late artist Brent Malone.
Double Dutch brings together artists from the region to produce provocative bodies of work through collaboration and exchange. The first project of its kind sanctioned by the National Art Gallery of The Bahamas, the project works against ideas of nationalism and the insularity of our creative environs by creating a safe space to explore regional culture and our creative acumen and sensibilities.
Celebrating 40 Years of The Central Bank: A Pillar of Arts Commitment will highlight the role Central Bank of The Bahamas has played in developing the country’s visual arts community since its founding. Organizers intend the show to commemorate Central Bank’s commitment to serving as a reservoir of wealth in both financial and cultural spheres. The exhibition will showcase over 80 works by 72 artists featured in Central Bank’s extensive art collection. Curated by NAGB Director Amanda Coulson, the show opens on June 2.
Double Dutch is sensitive to the economy of space and scale as well as the feasibility of transportation and mobility through the region. For this reason, the project attempts to create and maintain ties throughout the Caribbean with the National Art Gallery of The Bahamas as pilot and conduit.
Bahamian Domestic highlights the growth and divergence of Bahamian art with the 50 years. Significantly, this exhibition focuses on the strong influence of the domestic sphere. As such, it is a testimony as to how Bahamians depict and reflect their understanding of their country and the world at large.
On January 4th, 2014, At the age of 72, Mr. Winston “Gus” Cooper, one of the founders of The Valley Boys Junkanoo group, passed away at Princess Margaret Hospital. On April 15th, 2014, The National Art Gallery of The Bahamas opens a tribute show entitled, "The Ace of Spades – The Father of Modern Day Junkanoo," curated by the well-known Bahamian artist, Mr. John Beadle
In the film installation “undercurrents”, Parotti finds a temporary reconciliation between strained dualities through a connecting factor in the globe’s landscape: the ocean.
Though an entity completely different from our shallow Caribbean waters, the ocean Parotti became familiar with in the English Channel near her 2011 residency in Scotland provided a somewhat calming continuity of existence despite the change in landscape and culture. With side-by-side films of the ocean approaching and retreating from the shore, “undercurrents” comfortably surrenders to the relentless push-and-pull of rapid change.
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Features from Undercurrents:
- Undercurrents is a dual video projection installation with sound.
Bahamian artist Kishan Munroe has crafted a multi-disciplinary, analytical project that is not only designed to function as appealing visual, audio and literary arts, but which also simultaneously writes a major part of our nation’s history that has, for far too long, gone under-investigated contextually. This project uses the tragedy of the sinking of HMBS Flamingo of the Royal Bahamas Defence Force fleet on May 10, 1980, as a point of dissection and departure, to address further historical and cultural nuances that have shaped Bahamian culture and interactions with the Bahamas’ nearest neighbour. Designed to inspire critical analysis, this investigation comprises an international collaboration with a cadre of both nations’ leading authorities in social sciences and the arts.
With the unfolding of the series of incidents surrounding the sinking of HMBS Flamingo, the newly independent Commonwealth of The Bahamas, still in its infancy, was thrust into the global spotlight, finding itself having to deal with one of the most sensitive issues a country could possibly face at the time: the possibility of open war - war with a Communist country, well-provisioned militarily, during the height of the internationally tense “Cold War.”
This in-depth investigation provides a much-needed contextual foundation. It is offered to increase comprehension in The Bahamas and beyond our shores of the socio-political and cultural climates at various points in time, which in some way contributed to or influenced the attack of Cuban military forces on HMBS Flamingo and subsequent related and extraordinary events. It is not the intention of Munroe of his collaborators to seek to place blame or unearth bitter sentiments, but rather to perpetuate the spirit of deliberative communication that both countries have fostered thus far and is ever important to the upward progress of mankind.
See images from the opening night:
Features from the 2013 Colina Calendar Exhibition:
- Artwork from 13 local artists.
- Artwork based on traditional Bahamian colloquialisms such as 'Mudda Sick' or 'Jam Up'
- Each piece appears in the 2013 Colina Calendar.
- Artwork is for sale with full proceeds going towards the artists.
The Bahamian Landscape
Features from The Bahamian Landscape:
The Bahamian Landscape is a rotational show built around the National Collection and a select few private collectors. It is located on the Ground Floor only.
Features over 80+ pieces by Bahamian artists, with more than 10+ female artists represented.
Four distinct sections in the show:
Formal and Social: Explores historical depictions of The Bahamas’ social, cultural and physical landscape. Artists included: Maxwell Taylor, Jacob Frank Coonley and Brent Malone.
Internal Expressions: Features a hall of portraits, exploring Bahamian depictions of themselves physically, culturally and socially. This section is less historical in scope and contains a mix of contemporary pieces. Artists included: Maxwell Taylor, John Beadle and Kendal Hanna.
Features from SINGLESEX:
- SINGLESEX is part of the rotational Permanent Exhibition scheme built around the National Collection and a select few private collectors. It is located on the Ground Floor only.
- SINGLESEX features artworks from 20+ female Bahamian artists, with representations from the Family Islands.
- The goal of the exhibition is to show female portraits and nudes by female artists