The new permanent exhibition, Revisiting An Eye for the Tropics, reconsiders both the National Collection and local private collections in regards to the colonial gaze and our post-colonial lives today, and features the work of over 20 artists. Opening March 31, 2017 Revisiting An Eye for the Tropics is a look into how our visual representation as a nation throughout history has been shaped as a result of the desires of colonial era tourism.
The National Art Gallery of The Bahamas will produce and present a retrospective of Thierry Lamare's work entitled, "Love, Loss and Life. The exhibition opens on April 27th and runs through September 10, 2017 and features over 90 works from several local, regional and international collectors.
Max/Amos will open at Wenshua Art Gallery in Georgetown, Exuma, on Monday, October 2nd, 2017 at 6pm. The exhibition will be on display until November 15, 2017. This event is free and open to the public.
Emerging Bahamian photographer Melissa Alcena will present a collection of 20 recent photographs in our Project Space Room that focuses on the Black Caribbean male as a central subject and the issues around representation, exile, displacement and becoming.
Re: Encounter brings together Dominican-born, New York-based artist Joiri Minaya and Bahamian artist Dede Brown who have developed individual projects that speak towards issues of being postcolonial subjects. Both practices use representations in nature and the feminised to confront the rigidity of history and the stronghold of colonial narratives. The show opens in the NAGB Ballroom on Friday, October 13th, and runs through Sunday, November 26, 2017.
The exhibit Art of the Bahamas is a collaboration between the Elliott Museum and The National Art Gallery of The Bahamas. The exhibit includes more than 40 paintings on loan from NAGB and some from local artists who painted the Islands. The exhibition celebrates the creative spirit of these islands whose diversity of vision has inspired, and indeed continues to inspire the voices and visions of successive generations of artists. Art of the Bahamas, will run December 15, 2017 through February 26, 2018 at the Elliott Museum, 825 NE Ocean Blvd., Stuart, Florida. The exhibition is included with regular museum admission and is open everyday from 10 AM to 5 PM. For more information visit www.ElliottMuseum.org.
Maxwell Taylor’s woodcut prints are truly a thing of beauty in more ways than the obvious. The stark contrast and drama of a black and white printed image is something to behold in itself, but the way that he incorporates black bodies and the struggles they go through adds a poignant beauty of a different kind. He doesn’t make the struggle pretty, he shows people with the nobility they deserve, migrants included. Using the traditional practice of woodcut printmaking, Taylor’s “The Immigrants No.3” (c.1990) holds just as much meaning now as it did when it was first shown.
"Those from Shallow Waters" is a collection of shorts by Settler's Cove Productions, about the inhabitants of The Bahamas (derived from the Spanish "baja mar," meaning shallow seas). The collection tells the unique and contemporary stories about born-and-bred Bahamians and those who have made The Bahamas their home.
We invite you to the opening of our Mixed Media Art Summer Camp Exhibition 2017: "A Journey Through Time: Telling Our Story with Art" on Tuesday, August 1st starting at 6 p.m..
"Of Skin and Sand," brings together Jamaican artist Leasho Johnson and Bahamian artist Edrin Symonette who have developed individual projects that speak towards issues of gender constructs, masculinity and sexuality within a Black Caribbean context. On Friday, July 21st starting at 7 p.m. we invite the general public to the opening of the project along with an artists’ talk with both artists. The event is free and open to the public.
On Thursday, June 22nd starting at 6 p.m., the National Art Gallery of The Bahamas will introduce emerging Bahamian artist and acclaimed RISD student Gabrielle Banks’ body of work ‘The Mark of a Woman’ in the Project Space Room. Banks’ actively comments and interrogates being a marginalized body and this functions as the continuous theme and conversation within her paintings. Many of the colors used in her palette express a nature of blackness that cannot be directly defined or restricted by societal standards and stereotypes. As a person of colour, she explores a complicated yet beautiful minefield which is provocative, rich and complex.
The National Art Gallery of the Bahamas is proud to welcome and continue our ongoing partnership with the University of The Bahamas Art Programme. Under the guidance of Associate Professor and artist Heino Schmid, the selection this year welcomes two emerging Long-Island artists and budding educators, Blake Fox and Shanteena Simms.
"Übersee: Cuba and The Bahamas: Contemporary Art from the Caribbean" features the work of 38 Bahamian and Cuban artists whose work continue to confront ideas around consumption, tourism, economies, utopia and complex identities connected to the landscape and bodies.
A retrospective focusing on the works of Bahamian Civil and Structural Engineer George Cox, The Unseen Structure showcases several important sites of development across New Providence and several family islands. The Unseen Structure will be informed by collaborations with architect Teran Nicholls and Patrick Rahming, former associates of Cox along with contemporary artists. Artists and collaborations in the exhibition will function as a way to strip away that layer, barrier, and partition with the people who live in an environment and the apparatus of it being.
Participating NE8 artist, Edrin Symonette's exhibition Residues of a Colonial Past will be on view at the NAGB from March 23rd - April 16, 2017, with a preview evening on March 31st to coincide with Transforming Spaces 2017.
Family Island access to the National Collection is of immense importance to the National Art Gallery of The Bahamas (NAGB). To answer the call of sharing Bahamian art with every citizen possible, the NAGB developed a travelling exhibition using the works of two iconic Bahamian masters, Maxwell Taylor and Amos Ferguson. This spring, MAXAMOS travels to the Abacos. We are grateful to the Hummingbird Cottage Arts Centre in Hope Town, our island partner, for being a magnificent host.
In Chantal Bethel’s Holey Space, we honor the matriarch, goddess, Atabey as she hunts, gathers, protects and glistens like gold in the shine of the sun. She is unmovable; the heroine, mother and the centre of her parable. Here she is already fiction, already lost, the frame of her body writhing on history pages, withering away slowly from our collective memory and what we are left with are traces.
Holey Space will be on view in the Project Space (PS) Room of the NAGB from October 27th through January 8, 2017.
“From Columbus to Junkanoo” highlights the growth and divergence of Bahamian art beyond last century. We hope the showcase will challenge perspectives and assumptions and present a comprehensive representation of the different elements of the Bahamian story internally and with the world at large.