Heating up the region’s cultural arena at the Fiesta del Fuego, the National Art Gallery of The Bahamas recently traveled to Santiago, Cuba to represent The Bahamas at the festival’s pop-up gallery. Santiago is the island nation’s second-largest city and former capital. The city, said to be situated in the heart of the Caribbean, celebrates its 500th anniversary this year.
The National Art Gallery of The Bahamas (NAGB) has seen the ending of another prominent show – The Seventh National Exhibition, Antillean: an Ecology. A success by most measures, the exhibition provoked discussions about race, class, economy, privilege and gender from students at the primary level to senior generations. It transcended cultural and societal barriers to get people thinking about the intangible, but longstanding, barriers hindering the country’s unity and progression.
With its eyes set on uniting the members of the region’s visual art scene for the advancement of the Caribbean as a whole, The National Art Gallery of The Bahamas (NAGB) will be launching the inaugural Double Dutch project to do just that. The Double Dutch project is an ongoing commitment to exhibit the works of two artists – one from The Bahamas and the other from another nation in the region – in a two-person show at the NAGB. Each iteration of Double Dutch will be exhibited for two months with two projects occurring annually during summer.
If you keep up with us regularly, you probably know by now that we are restlessly eager to unveil the Seventh National Exhibition, Antillean: an Ecology. Led by NE7 curators Holly Bynoe and Michael Edwards, Antillean: an Ecology is a body of works by 51 artists responding to themes of class, race, the economy and privilege.