Bahamian artist, Margot Bethel, explores ideas of femininity and the roles of women from both past and present day. In “Portal: There’s a WHole in the Bucket”, Bethel transforms a collection of mundane, everyday objects into a sculptural installation proposing the idea of the hole and the whole, simultaneously describing aspects of gender inequality, female stereotypes, and objectivity.
t is quite apparent in taking a stroll around the 8th National Exhibition (NE8) that there are a number of works by women, for a start, but also that many of these works by women deal with just that, with womanhood. These works are explicitly centered on the feminist canon of tackling the issue of women’s rights, or more subtly trying to turn our eyes to other aspects of femininity. Take, for example, the work of Averia Wright and her nuanced reinterpretations of our straw-work culture and the feminine, or the collaborative effort of Joann Behagg and Jackie Pinder with their clay tower of faces and chains confronting basic human rights for women and girls.