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Blank Canvas: August 1, 2018, Tilting Axis

Blank Canvas this week focuses on the roving Caribbean art conference “Tilting Axis,” co-founded by current NAGB Chief Curator, Holly Bynoe (far left) and Annalee Davis, founding director of Fresh Milk, Barbados. Tilting Axis brings together artists, curators and other arts professionals from the region and diasporas to network, speak about best practices, open forums and break out sessions to troubleshoot topics ranging from curatorial practices to creative ecologies, all to better connect our region and professionalise our teams. Bynoe speaks to the meeting’s creation in 2014, and its continued development and iterations over the last four years in its various locations: Barbados, São Paulo, Miami, the Cayman Islands and most recently in the Dominican Republic.

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Blank Canvas: July 11, 2018, Robin Hardy

Tonight on Blank Canvas, guest host, Malika Pryor-Martin, filling in for Amanda Coulson, sits down with wood-turner Robin Hardy. They spend the first two segments discussing his process as a professional artisan for nearly 20 years after retiring from a 30-plus career in accounting and insurance.

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Blank Canvas: June 27, 2018, Delton Barrett and Sofia Whitehead

Photography is in focus on tonight’s Blank Canvas, where we meet two young Bahamian photographers with recent exhibitions and a book publication.

Delton Barrett has his first solo show opening up at the D’Aguilar Art Foundation. Entitled “Nurture,” his portraits and conceptual works in this series try to answer questions that explore whether we are the products of nature or nurture. Delton shares how he became interested in photography as a medium and how he taught himself the techniques he uses in his craft today. Follow him on Instagram at delton_b.

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Blank Canvas: June 20, 2018, Eddie Chambers

On tonight’s Blank Canvas, our host Amanda Coulson, NAGB Director, welcomes Dr. Eddie Chambers into the studio.

Eddie Chambers, the son of Jamaican immigrants, was born in Wolverhampton, England. He gained his PhD from Goldsmiths College, University of London in 1998, for his study of press and other responses to the work of a new generation of Black artists in Britain, which were active during the 1980s.

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