By Dr Ian Bethell-Bennett. The Bahamas, according to the discourse, is a Black country. Majority Rule was established in 1967 and, since then, the language of nationalism has been extremely narrow, exclusive and definitive. Before the power of the majority was inculcated into the halls of Parliament, the language was very different, and usually overlooked the Black population, except as inferior subordinates. However, the face of The Bahamas, while changing, has changed little when seen through messages deployed through art. Yes, art has evolved and developed. The understanding that the Majority are people too, after the end of slavery and the permitting of souls into Black folk was not as earth shattering as one might have expected. The artistic document, though, speaks of differences and similarities of seeing and unseeing that depends little on one’s majority or minority status, but rather on the depth and wealth of one’s artistic practice. Many artists chose to include the more comprehensive and complete vision and voice of The Bahamas. Some chose to ignore or exclude. The nationalist discourse chose to do the latter.
Majority Rule: A Snapshot of Our Identity
