The octagonal shape of “The Dragon” is striking for Amos Ferguson being that it is not its normal 36 x 30 sheet of cardboard that Ferguson is known for and is aptly applied to the depiction Ferguson chose to paint. The seven-headed dragon from the book of Revelations in the bible is a phenomenal story that most will not forget based on the writers extensive description.
Appropriately entitled The Middle Passage, Jeffrey Meris’ large and imposing piece for Transforming Spaces: Fibre 2012 is a call to memory, history and healing. Located in the Project Space (PS) Room in the National Art Gallery of The Bahamas (NAGB), Meris was inspired by conceptual mixed media artists such as Bahamian native, Blue Curry, to create a piece that visitors can interact with. Indeed, the entire piece is physical, tactile and emotional experience. Upon entering the wide mouth of The Middle Passage, visitors enter a soundless, warm place. Cotton brushes their sides and indeed it surrounds them. They are compelled to further their journey, each step takes them into further, tighter and claustrophobic terrain till they are squeezed, packed and expelled through its much smaller exit point.
Within Kendal Hanna’s works there is great inspiration and reference to a particular abstract artist. Abstract art could not exist
Currently on exhibition at the National Art Gallery is Kendal Hanna’s Retrospective Exhibition, “Happy Birthday To Me”. Spanning work from his near-60 year career, the exhibition features over 140 pieces ranging from Hanna’s psychologically intense portraits, his classic nude studies, and compelling abstract expressionist pieces. Curated by Dr. Erica M. James, the exhibition opened on the 25th of June 2011 and will sadly end in January 2012, so visit while you can!