As the lushness of the island disappears in the wake of Hurricane Matthew, it is important to note the significance of imaging who we are and where we live. As Bahamians, we inhabit a geographic space that has beauty beyond words along with limitless possibility, and we must embrace our reality and step outside of the constructed, constricted reality being imposed on us.
Winslow Homer’s ‘Hurricane’ captures howling winds of the storm in The Bahamas, however, the image, though teaming with meaning and feeling, does not capture the magnitude of today’s super storms. These so-called superstorms bring with them devastation and trauma of epic proportions. The visual produced in Homer’s painting remains haunting and provides an interesting couple for the Gulfstream painting, and After the Hurricane, Bahamas as it shows a man shipwrecked on a desolate island.
From Earnest Hemingway’s The Old Man and the Sea to his less-well-known Islands in the Stream, Bimini stars as an island full of adventure, liquor and raucous living, a man’s island, where fishing and drinking go hand-in- hand. Bimini has changed little since these books were written. Cultural integrity is essential for such a world-class tiny island. It is still a place of booze and boating.
We often ask what makes art Bahamian? Is it about living in The Bahamas? Is it about the colour of the sea, the sky, the play of light? Is it the way we capture images of people in their daily lives that is unlike anywhere else, but also similar to other places? Can Bahamian art be transcultural and also Bahamian?
Public art – and its multitude of offshoots: street art, public sculpture, murals, mosaics – has a colourful history with many facets.
The National Art Gallery of The Bahamas was an idea long before it was a reality. Many artworks, therefore, had been purchased and earmarked for the collection before its eventual incarnation in 2003. The Bahamian National Collection, now housed with us in the magnificently restored Villa Doyle, was originally founded on the purchase of 25 Amos Ferguson works.
By 2050 the world sea levels are expected to rise a staggering amount, leaving low-lying areas like our archipelago nation to question our future existence and the way we live on this planet, not to mention the millions of people who could be displaced by this gradual flooding. Global environmental pressures are reaching a steady climax, and we are faced with having to change the ways we live to secure a more sustainable future, not just environmentally, but economically as well.
Exuma-blue waters, white sandy beaches and ruins overlooking magnificent views: Exuma has become the new place to vacation in The Bahamas, but Georgetown has had that honour since the 20th Century: it was the chic place to be. Offering a beach on the Tropic of Cancer that can compete with any in the world, Exuma is now the home of an all-inclusive Sandals resort that replaced the former four-star Four Seasons Emerald Bay that was beleaguered by labour problems and closed when it was unable to function at its customary high standards of excellence. Chat and Chill along with many small businesses offer entertainment and great food.
In last week’s Art and Culture feature, Dr. Ian Bethell-Bennett shared Chapter One of his travels and thoughts on development and sustainability on Long Cay. This week we follow up with Chapter 2, which expands on his observations. Long Cay holds beauty and tangible history.