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19 Years of Bold, Biggity, Bahamian Art: Where Do We Go From Here?

The NAGB’s National Exhibition (NE) programming acts as a finger on the pulse of Bahamian art. As our, usually, biennial check-in on the status of creative visual culture in the country, the NE acts a gauge to see what our creative expression says about us as Bahamians: citizens, diaspora, and residents alike. After reaching our landmark 10th National Exhibition, NE10: “MERCY”, we must ask the question: how do we grow from here?

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Create Space: Art as Therapy

By Zearier E. Munroe. Exploring art materials with therapeutic thinking. Dorian was the most unnatural of natural disasters to batter this country. The hardest hit islands of Abaco and Grand Bahama will be recovering for years, but they won’t have to do it alone. In the days and weeks following the storm, the power of community and the outpouring of financial, emotional and spiritual support for those affected has been the very epitome of “Bahamas Strong.” And, in this moment of physical and emotional turmoil, the value of a safe space cannot be calculated. Understanding this, the education team at The National Art Gallery of The Bahamas (NAGB) partnered with the incomparable Art Psychotherapist, Susan Moir Mackay, a former resident of Grand Bahama for twenty years. The result of this partnership was Create Space under NAGB’s We Gatchu!: Sanctuary After The Storm initiative. The aim of Create Space was to designate and design areas where participants could explore art materials in a therapeutic way. We prioritised the creation of this space within the shelters, while we reaffirmed the availability of the NAGB property as a haven for all who are in need. As it has long been the mission of the NAGB to use the sanctuary of its halls to uplift and inspire through art. 

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Hope Is All Around Us

Bahamian and Caribbean artists from all genres are coming together to uplift The Bahamas through hurricane relief efforts post-Dorian.

By Kevanté A.C. Cash, NAGB Correspondent. It seems as though visual artist and muralist Angelika Wallace-Whitfield may have been foreshadowing with her Ninth National Exhibition (NE9) public art project: “Hope Is A Weapon.” During these trying times, the words that the artist penned to elaborate on the work finds us at a convenient moment and feels all too real. Much like the pressing issue placed on the backs of our nation’s leaders, Bahamians who have not been severely affected by the storm and the global world who is watching.

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