National Exhibition
7 ● Antillean: An Ecology

The NE7 will coincide with an important international conference organized by Duke University in collaboration with The College of The Bahamas, whose theme will be reflected in the call for works and will challenge Bahamian visual/creative practitioners both resident and afield to respond broadly to the dynamics of race and class.

The NE7 will have a symbiotic relationship with “Blackness: A Comparative, Cross-National Investigation of Meaning and Significance,” the conference initiated by Duke University. Complexities of the modern notions of Blackness, Whiteness, and the in between will be interrogated to consider how these markers have been manifested socially, politically, culturally and economically. We invite artists to investigate, within a broad disciplinary field and through various mediums, the impact and implications of the dynamic relationships that have been forged by the passage of time, and issues arising out of race, ethnicity and its contemporary discourse.

To do this, we look towards citizenship, migration, the landscape, collective traumas, slavery, indentureship, trade, racial delineations, the hybrid and rhizome; we look at things that have shaped our identities. We consider the imagination, memory, language and mythologies and how they offer a critical space to intersect with stereotypes that are deeply ingrained in our social fabric about personal and public personas.

Are we then ready to confront the contentious relationship that we have with race and ethnicity? What would that unearthing look like and is there room for counter narratives? How will these definitions of Blackness, Whiteness and the dynamic range in between, fit into the social diversity of the nation? What kind of shift will this bring about in our public and private relationships? What types of freedom, permission and possibilities would this engender?

The NE7 calls on visual and literary artists to engage with these complex ideas of self, and how they have been affected by social and racial codes, complex histories and global convergences that are seeking to determine representation and meaning.

About the curators

Michael Edwards received a BFA in Painting from the Rhode Island School of Design in 2000, and a Master of Science in Art and Technology from Chalmers University of Technology, Gothenburg, Sweden in 2006. Edwards has been a visiting critic at Valand School of Fine Arts, The University of Gothenburg, studio assistant at Sam Gilliam Studio, Washington, D.C., and Senior Education Officer at The National Art Gallery of The Bahamas. Presently, he is a lecturer in the School of Communications and Creative Arts at The College of The Bahamas.

Holly Bynoe is a visual artist, curator and writer from St. Vincent and the Grenadines, and is currently living and working across the Caribbean. She is the co-founder and director of ARC Magazine, the premiere visual art and culture publication focusing on contemporary visual art created throughout the Caribbean and its diaspora. Recently, she has overseen production of Caribbean Linked a roving emerging artists residency program, was appointed curator for the International Biennale of Contemporary Art: Martinique, and curated a segment of Transforming Spaces 2014 in partnership with Liquid Courage Gallery and the National Art Gallery of The Bahamas.