Cultural heritage Archives - National Art Gallery of The Bahamas

Losing our steps: Intangible culture, living memory and the space for a culture to exist

By Dr. Ian Bethell-Bennett. “And thy heaven that is over thy head shall be brass, and the earth that is under thee shall be iron. The LORD shall smite thee with madness, and blindness, and astonishment of heart. Deuteronomy 28: 23 + 28.” I cannot say why this quote from Los pasos perdidos (1953) by Alejo Carpentier the Cuban writer and musicologist resonates with the work of capturing or documenting cultural heritage in the Southern Bahamas. However, these words capture beyond reason so much of what time has done in these islands. We, as a people, also treat Bahamians as if they were second-class citizens in their country. The system of paradise and exploitation, created during piracy and continued during colonialism, is not about white against black but rather about a system of exploiting those who cannot—or are not allowed—to speak for self because they are repeatedly told they do not have souls, they are not human and they should be grateful to be allowed to be near such greatness.

Cultural development and investment: The recognition of our cultural heritage

Cultural heritage, shockingly, is actually not unique to or owned by a people unless it is inscribed as such. So, as a nation, we think we are the sole practitioners of Junkanoo the way we perform it on Boxing Day morning and New Year’s Day morning, however, this unique cultural relationship does not endow us, The Bahamas or the Bahamian people with the right to use Junkanoo as we wish. We do not own the practice nor do we benefit from it, despite the fact that whenever we are invited as a country to an arts or culture festival we tend to drag an entire Junkanoo group with us. The nation and the state have been historically irresponsible when it comes to officially claiming and so protecting our cultural heritage.