A two-part Q+A with Joiri Minaya, a Dominican-American multidisciplinary artist exploring otherness, self-consciousness, and displacement.
A two-part Q+A with Joiri Minaya, a Dominican-American multidisciplinary artist exploring otherness, self-consciousness, and displacement.
By Katrina Cartwright. As a part of The National Art Gallery of The Bahamas’ monthly programming, the “Fabric Printing Workshop” with Joiri Minaya, the first workshop for the fall season, was held on Saturday, October 14th on the Gallery’s grounds. Led by Double Dutch artist Joiri Minaya, a diverse group of 19 participants were introduced to the basics of block printing then invited to try out their designs on fabric.
So much of our lives is defined by our relationship with space and indeed with water, or a space that is not a space, but is actively always churning and redefining itself and its boundaries. We engage at a new level now as boundaries mean little, except for the new and ever-increasing global boundaries that allow capital flow but insist on barring the flow of people. We live in a time of shifting and yet unchanging spaces.
Tonight’s “Blank Canvas” sees Bahamian artist, Dede Brown (left), in conversation with Dominican-American artist, Joiri Minaya (right), her collaborator on the next NAGB exhibition, “Double Dutch: Re : Encounter.” The NAGB’s Double Dutch series was conceived as a way to bridge our regional divides, by bringing artists from the region and diaspora together to produce provocative bodies of work through collaboration and exchange.