projects Archives - Page 2 of 2 - National Art Gallery of The Bahamas

“Pasting colours: Envisioning Alternatives” by Dr Ian Bethell-Bennett

21 March 2017

Dr Ian Bethell-Bennett shares: I have visions of colour rubbing up on each other, sliding over liquid slopes of sun-drenched limestone and bleached out roads, deepened by heat and dust. Colour capturing what we do not see, but refuse to ignore. Islands are aloof, detached, yet our islands lay under the vibrant eyes of people who do not know this. They have always travelled, always ventured, always known that life is bigger than us, bigger than this island in the middle of the water, surrounded by beaches of no value until the new people came and barred these things from our lives.

Considering the African Culture: Not forgetting the Asue

30 January 2017

Haitian-born, Bahamian artist Jeffrey Meris opened his project ‘Asue: 20/20’ in the Project Space Room of the NAGB on Saturday, January 21, and it drew a sizeable crowd who came out to see how the word “Grace” would be interpreted. Dr. Ian Bethell-Bennett writes about Meris’ work and the importance of holding on to traditions and moments that make Afro-Caribbean culture possible.

Unearthing: Raising the voices, quieting the noise

11 January 2017

Dr. Ian Bethell-Bennett writes about unearthing voices and two central projects of the National Exhibition 8, Edrin Symonette’s ‘Residue of a Colonia Past’ and Keisha Oliver’s “Porch Conversations’.

A Bahamian Aesthetic: Defining the local in the global

5 September 2016

We often ask what makes art Bahamian? Is it about living in The Bahamas? Is it about the colour of the sea, the sky, the play of light? Is it the way we capture images of people in their daily lives that is unlike anywhere else, but also similar to other places? Can Bahamian art be transcultural and also Bahamian?

A-Figuration: Emerging artist Nowé Harris-Smith’s obscured figures on view at the NAGB

11 July 2016

Nowé Harris-Smith, an emerging Bahamian artist, shows us her foray into reconciling the tension between two battling mediums; tensions between reality and the imagined, between the ideas of bodies as symbols of our individuality but also as unifying vessels of the universality of our human experience.