Sitting on a breezy, sandy thoroughfare from the east to the west of Long Cay, silence is only interrupted by a creaking door and rolling seas washing ashore on a pink sandy beach, where history has been washed out by time and bleached by the sun.
This month’s selected artwork is a woodcut print on paper entitled “Pulling Nr. 1,” (1982) by Maxwell Taylor—a painter, printmaker, sculptor, ceramicist and draughtsman. The work is currently on show alongside other Taylor drawings and prints, as well as many other artists, in the exhibition “From Columbus to Junkanoo” curated by Jodi Minnis and Averia Wright.
Nowé Harris-Smith, an emerging Bahamian artist, shows us her foray into reconciling the tension between two battling mediums; tensions between reality and the imagined, between the ideas of bodies as symbols of our individuality but also as unifying vessels of the universality of our human experience.
New Economies of Culture We often talk about the importance of cultural tourism, but perhaps few of us understand what that means or even why it could benefit us as a country. Cultural tourism has become one of the largest drivers in tourism mobilisation over the last decade.
Scraped up from the beds. Uprooted. Carefully picked and collected. Transported by boat. Beaten. Sun-dried. Clipped and polished. Sold to the highest bidder. The sponge industry of the colonial Bahamas as represented in Jacob F. Coonley’s ‘The Sponge Yard’, an albumen print circa 1870, shows neat rows of sponges laid out to dry, to be clipped, to have the animal remains eroded away by hours in the sun
The NAGB was welcomed to Nettica “Nettie” Symonette’s resort and cultural centre, Nettie’s Place of Casuarina, recently to appreciate Symonette’s efforts at sustainability and cultural preservation. Symonette is also one of the country’s most dedicated and prolific self-taught artists. She began painting intuitively in 2009, and she continues to make work at her studio on the Cable Beach property.
Nettie’s Place is a multifaceted operation, boasting a restaurant, hotel, farm and many other marvels. It is Symonette’s hope that the entire site will document the country’s evolution and cultural heritage.
Brent Malone’s “Metamorphosis” (1979), part of the NAGB’s National Collection, is on view in the R. Brent Malone Reincarnation exhibition. The work was donated to the National Collection by Jean Cookson.
Throughout his life, Brent Malone went through a lot of changes personally and with his work. But in its own way, “Seaside Village” stands out in R. Brent Malone: “Reincarnation” for various reasons. “Seaside Village” was completed while Malone was studying at Beckenham School of Art, London (1959-1963). It is from the collection of Anthony Jervis and is on permanent loan to the National Art Gallery of The Bahamas.
Stories Both Sides of the Coin National Art Gallery of The Bahamas · 17 January 2016 There are currently more