Jace McKinney’s work visually echoes the Biblical narrative of the Hebrews being delivered by God from the hands of the Egyptians where they sang a song of praise that became known as “The Song of Moses”. Mckinney’s choir is constructed from plaster molds made from the heads of young children from a grass-roots community and subsequently turned into 21 makeshift lamps. McKinney’s work acts as a metaphor for the innate divinity of the culture of youth and a call for us to elevate ourselves from our collective cynicism.
Feature From The Exhibition: The Pathways
