National Exhibition 8

Nov 15, 2012-Apr 7, 2013

Looking at the institution’s mandate and acknowledging our surrounding environment and creative ecology, it was imperative to move outside the walls and develop collaborative partnerships. This expansion of the National Exhibition will secure another safe and neutral space, Hillside House, allowing for more diverse works and programming to be produced thereby increasing the visibility and viability of ongoing practices.

The biennial National Exhibition stands apart as a laboratory—a site where artists, researchers, writers, and educators can question, interrogate, and develop ideas about their current concerns, while witnessing and paying testament to complex global dynamics. For the National Exhibition 8, we want to explore the institution’s catalytic role in navigating societal configurations that take into consideration cultural and social paradigm shifts, the impact of globalization, along with the changing status of nationhood in The Bahamas and its wider citizenry.

Treating the NE as an environ, an organic entity with its various forms and traces, it engages with multiple narrative devices in relation to artistic production and practices of thought with a handle on current realities, specifically addressing gender equality, postcolonial concerns, feminism, blackness, the myth of independence, and the crisis of nationhood.

We are also thrilled to be introducing the inaugural National Exhibition Researcher-in-Residence Hilary Booker. The US-based scholar will present “The Moonflower Room” which combines the intellectual and creative lineage from which Booker developed her theoretical framework with research findings about interview participants’ hopes and dreams for the future. This will include an edible cartography composed of plant-based foods that she will prepare from primarily locally-produced ingredients and a radical library of books and bushes. By placing books, bushes and plant-based foods together, Booker hopes to demonstrate that plants, land, oceans and foods are their own sets of knowledge critical to development whose essences are best experienced and expressed viscerally.

The National Exhibition 8 is curated by Holly Bynoe.

The National Exhibition provides a platform for the creative community—both locally and in the diaspora—to channel their collective experiences in unpacking and rebuilding what Bahamian creativity is and can be. The biennial exhibition chronicles the island nation's social, political, and cultural shifts in that time, while making space for the community to grow and welcome emerging and established artists alike into its ranks.

Participating Artists

ONsite Artists:
Caroline Anderson
The Commission of the Queer
Richardo Barrett
John Beadle
Joann Behagg
Margot Bethel
Ian Bethell-Bennett
April Bey
Paula Boyd-Farrington

Dede Brown
Claudette Dean
Dwan Deveaux
Sonia Farmer
Attila Feszt
Tamika Galanis
Steffon Grant
Charlotte Henay
Ken Heslop
Susan Katz-Lightbourn

Jordanna Kelly
Anina Major
Jeffrey Meris
Jodi Minnis
Navarro Newton
Holly Parotti
Lynn Parotti
Dereck Paul
Jackie Pinder
Leanne Russell

Steven Schmid
Dave Smith
Giovanna Swaby
Edrin Symonette
Max Taylor
Angelika Wallace Whitfield
Christina Wong
Averia Wright

OFFsite Artists:
Virginia Cafferata
Del Foxton
Ivanna Gaitor
Kay Hardy
Ken Heslop
Susan Jensen-Sweeting
Jo Morasco

Angelique V. Nixon
Keisha Oliver
Cynthia Rahming
Andre Sturrup
Lowree Tynes
Alicia Wallace
Natalie Willis

Poets:
Nikera Cartwright
Trameco Gibson
Yasmin Glinton
Keisha Lynne Ellis
Letitia Pratt

Selected works

Read

Margot Bethel's Portal: Unpacking Memories of Womanhood

‘An We Is Woman Too?’: Women & Labor In the NE8

The Gall to Speak: NE8 Artists Venturing into Gaulin Folklore

Watch