Stories

From the Collection: Jolyon Smith’s “Transformation” (1987) and imagining Black Bahamian futures

The Gall To Speak: NE8 Artists Venturing into Gaulin Folklore

Look, Listen, Live: A Space for Artistic and Cultural Expression

Seeing the God in me: Jalan Harris’s “Self-Pollinate” and Cydne Coleby’s “A God Called Self” works

Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

Dave Smith “Violence, the beauty of paradise”: The art of capturing the lingering impact

Angelic Remembrance: Antonius Roberts Memorialises Women of Faith

San Salvador as Culture: Exploring New Economies, Working Against Collapse

Environmental Force: On Abstraction and the Nature of Survival

Sinking: Field Notes on Loss and Belonging

The Life and Death of Street Trees: Jenna Chaplin’s call to attention for the importance of street trees for the upcoming NE9

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

Sounding the Alarm: Tanicia Pratt’s Blow the Whistle

The Case for Lavar Munroe: The Son of Soil

19 Years of Bold, Biggity, Bahamian Art: Where Do We Go From Here?

Hearth and Heart – E. J. Read’s ‘Clay Oven’

Amos Ferguson’s “Jesus and the Good Semeriton” (nd): The Colour of God and Histories of Faith

Under Attack: Averia Wright and the Dualities of Bahamian Identity