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Articles

Aftermath: Field Notes on Loss and Belonging

‘Slam-Bam’ Sands: ‘The hastily hand-coloured colonial postcards of James “Doc” Sands.’

We Live at the Undersides

Strange Fruit: Kendra Frorup’s Poignant Banana Plumes

Gaia Reimagined: “Mother Earth” (1992) by Clive Stuart

Breezes through Long Cay. Chapter 1: As Stories Fade

Murky Histories and Futures: “Digging Upward in the Sand” (2018) by Plastico Fantastico

A mélange of culture: Prominent intuitive artist documents heritage

Seeing the God in me: Jalan Harris’s “Self-Pollinate” and Cydne Coleby’s “A God Called Self” works

The Architecture of Loss: Memorials, Memento Mori, and the Man from Milton Street

From the Collection: “Metamorphosis” (1979) by R Brent Malone

Cultural Tourism on Exuma: A Gem for Few, a Gem for All

From the Collection & Into the Void: “Transformation” (1987) by Jolyon Smith

Some (Re)assembly Required: Melissa Alcena’s takes a soft lens on Black masculinity

From the Collection: “Solomon” (2000) by Stan Burnside

Conserving art in the tropical home

Speaking to views and gazes in the work of Eric Rose: Education, Space and Knowing your Place

Searching for Empathy: Revaluing self in relation to others

From the Collection: “Untitled (Rake Bird)” by Tyrone Ferguson

Troubling Narratives: This is how we suffer to remain

Pasting Colours: Envisioning Alternatives

From the Collection: “Untitled (Balcony House on Market Street)” (ca 1920) by James Osborne “Doc” Sands

Everybody and Dey Grammy

“Defender of the Faith”: Rembrandt Taylor’s Dragon-slayer.

Something About Failure: Tessa Whitehead’s intimate questioning on success, failure, and what makes art work.

From The Collection: Amos Ferguson’s “Junkanoo Cow Face”

‘Sponge Yard’ (c. 1870): The Colonial Photography of Jacob Coonley

A Distant Bahamas: “Native Hut” (1915) by Hartwell Leon Woodcock

Re-Encounter: Thoughts of a Mad Mind

Both Sides of the Coin

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

Max and Amos: Enchantment and Magical Realism in Service to Freedom

Angelic Remembrance: Antonius Roberts’ memorialises women of faith

Tender Seedlings: Anina and A.L. Major Reflect on Pain and Love in the Bahamian Diaspora

If an entire population moves, is it still a nation?: The consequences of censoring self.

“Traversing the Picturesque: For Sentimental Value” – The Colonial Gaze

Mhudda: Jackson Burnside’s socially aware look at the struggles of the Bahamian “everyday”

Sinking: Field Notes on Loss and Belonging

It’s not just black and white: It is also colour, light, shift, and feeling

Sounding the Alarm: Tanicia Pratt’s Blow the Whistle

A Bahamian Aesthetic: Defining the Local in the Global

The Case for Lavar Munroe: The Son of Soil

Creating Thinking Spaces: Opportunity to Think, Build, and Grow

Eye on The Bahamas

Epistemic and Cultural Violence: Powercutting as Light

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action

From the Collection​: “North Star” (2007-8) by Heino Schmid

Antonius, AfriCOBRA, and the Aesthetics of a True-True Bahamian

Breezes through Long Cay: Chapter 2

San Salvador as Culture: Exploring New Economies, Working Against Collapse

Finding Our Voices: Resisting Violence and Oppression

Push Out: Jodi Minnis and Ian Bethell-Bennett Investigate the Mythologies and Futures of Gentrification in Over-the-Hill

Sitting Pretty Political: Amos Ferguson and the Reclining Women of Art History

Max Taylor’s ‘What to Do?’

From the Collection: ‘Bishops, bishops everywhere and not a drop to drink’ (2003) by Dionne Benjamin-Smith

Hearth and Heart – E. J. Read’s ‘Clay Oven’

Demure Facade, Colourful History: Sterling Miller’s “Villa Doyle” (ca. 1969)

MasC Off: NE9 Artists Challenge Social Binary Views on Gender

Danny Davis brings a colonial interpretation to NE9’s “The Fruit and The Seed.”

This has all been said before: Art, Racism and the words of representation

Unpacking Identity with Joiri Minaya

Are We One With Nature? G. Paul Dorfmuller’s Nassau Corner

Speaking of culture: Thinking about change

Utopian Ecologies: Alex Timchula’s microcosmic garden sculpture for the NE9

The art of living in the tropics: An art of survival?

I’s Man: Ian Strachan’s documentary on masculinity in The Bahamas captures the polemics of today’s ‘Man Crisis’.