All posts tagged: From the Collection

From the Collection: Lynn Parotti’s “The Blastocyst’s Ball: A Journey Through the Drug Induced stages of IVF”

By Natascha Vazques. Lynn Parotti is a Bahamian artist exploring themes of natural and biological landscape, those surrounding us and within us. In “The Blastocyst’s Ball,” Parotti displays a triptych of non-objective form and colour, alluding to something that may exist within biology or perhaps, more specifically, in our bodies. Each piece shows a unique arrangement but commonly shared hues and rigid texture created through repetition generate a strong sense of unity between them.

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Ferguson’s Fantastic Dragon: Blending the imagination with the biblical

A fire-breathing hell-beast, a scaly winged thing of fantasy – sometimes good, sometimes dangerous and greedy: Dragons. Not a staple in the established subject matter for Amos Ferguson, but nonetheless a treasure in the National Collection, an entity worthy of having an epic flying reptilian guarding it for sure. Ferguson’s “The Dragon” (1991) is an outlier for a lot of reasons. While his usual practice includes references to biblical scenes, Bahamian folklore, and more often than not, Bahamian scenery – with the iconic titles painted in Bahamian vernacular that act as a mirror for our particular language traditions, this piece doesn’t quite typify his practice.

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