All posts by admin

Beauty in Bain Town: How does Over-the-Hill Fit Into the Bahamian Picturesque?

Bain Town is a space of much notorietythese days, as a number of historically freed slave villages on the island have grown to be, but it wasn’t always so, and there is certainly a need to celebrate the history of these areas and the sense of community and pride amongst those who remember how different the place was merely a few decades ago. So many of our major artists in The Bahamas came from Over-the-Hill, perhaps most notably our beloved Maxwell Taylor, and embracing the greatness that comes out of these communities is important.

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Antonius Roberts “Procession of Females in White Uniforms”

Antonius Roberts, one of The Bahamas’ leading artists, exploring themes of nature, humanity and spirituality through a diverse range of genres. This May, we focus on his piece, “Procession of Females in White Uniforms” as our Artwork of the Month. The painting is a part of the Gallery’s National Collection and currently on view in the Permanent Exhibition “Revisiting An Eye For The Tropics”.

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Blank Canvas with Thierry Lamare

Regular host Amanda Coulson is back from a hiatus to discuss the exhibition “Love, Loss, Life,” a retrospective of the artist Thierry Lamare who is her guest in the studio. The show gathers together artworks from over a 20 year period and allows the visitor to follow the arc of his progression, from seascapes to architecture, from watercolours on paper to his use of both canvas and wooden supports.

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Creating Thinking Spaces: Opportunity to Think, Build, and Grow

The University of The Bahamas and the National Art Gallery of The Bahamas have created an open space for group discussion that allows students to benefit from the offering of both spaces.  This relationship allows culture to truly be highlighted.  As much as we talk about culture, we often disconnect our experiences from talk. These lectures are designed to promote thought and unshackle minds blinkered by a dysfunctional system designed to create workers without a sense of self, or an identity that can transcend the 9 to 5 and the 21 by seven of the mundane. 

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Kendra Frorup’s Domestic Chickens

Kendra Frorup’s ‘Domestic Chickens’ (2007) installation is one of the lesser-known pieces in the National Collection. The 2017-2018 Permanent Exhibition, ‘Revisiting An Eye For The Tropics’, is a departure point for us to look to the way the past has informed the present aesthetic in Bahamian artwork, and also importantly to showcase the works in the National Collection and remind us of what we have ownership and pride over as Bahamians.

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Margot Bethel’s Portal: Unpacking Memories of Womanhood

Bahamian artist, Margot Bethel, explores ideas of femininity and the roles of women from both past and present day. In “Portal: There’s a WHole in the Bucket”, Bethel transforms a collection of mundane, everyday objects into a sculptural installation proposing the idea of the hole and the whole, simultaneously describing aspects of gender inequality, female stereotypes, and objectivity.

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