NE9 was presented as a socially unique project, centering artists working to define their individual spaces and experiences.
NE9 was presented as a socially unique project, centering artists working to define their individual spaces and experiences.
Antillean: An Ecology explores issues of race, culture, class, and migration as through the lens of Bahamian writers, artists, and creative practitioners.
Ryan Lewis explores how cultural traditions like Junkanoo shift alongside an advancing technological landscape.
The action of digging was a physical metaphor for the search through darkness to discover creativity and imagination.
NE4 participating artists manage a degree of self-possession and fearlessness not seen prior to this moment in Bahamian art.
NE3 marked a smaller but more media-diverse National Exhibition, emphasising critical engagement and dialogue in The Bahamas.
Fifty-six works showcasing the breadth of Bahamian art, much of it rooted in social commentary.
The catalogue for the first juried National Exhibition represents a broad range of Bahamian art practices.
Poets respond to the “void” as a space ripe for opportunity and growth.