The Bahamian Pavilion will present the work of the revered Bahamian artist John Beadle and critically acclaimed artist Lavar Munroe, with a posthumous collaboration between the late and the living artist.
Essays exploring the work of 16 artists through the lens of ecohorror, revealing how environmental dread and ecological crisis shape contemporary artistic practices
21 contemporary Bahamian artists envision futures beyond colonial inheritance, examining visibility, absence, and transformation.
Tradition shifts and survives in new ways—from Colebrooke’s hands in Red Bays to contemporary artists—straw embodies something that can’t be bought or sold.
Sonia Farmer dives into an overlooked environmental atrocity: the 1923 removal of 40 tonnes of coral from the Andros Great Barrier Reef.
Clay becomes more than a material, it becomes spiritual—imbued with the memories of the earth and the people who walked on it before us.
Through clever composition, Rose’s images give the feeling of exclusion that mirrors the sentiments of our ancestors as they were confined to slave quarters.
Reagan’s balance is essential to her work and life, and Emi can also be considered a portrait of her as an artist.
Ford, a highly respected leader in the arts and education sector, brings a wealth of experience and a focused vision to advance NAGB’s role as an integral part of Bahamian art and culture.
The Curatorial Director is responsible for directing the curatorial department, overseeing all exhibitions and publications, and developing, managing, and displaying the permanent collection.