All posts by NAGB

Lavar Munroe’s ‘Migrant’

In seeing so many large, bright, and significant works in Bahamian Domestic, it might seem peculiar to pick a piece that appears so much smaller and more subtle in comparison. However, it’s equally essential to find the importance in the things that become marginalized by bigger entities – the significance in the small. For Natalie Willis, National Art Gallery Curatorial Trainee, Lavar Munroe’s “Migrant” seemed appropriate to discuss and share as April’s Art Work of the Month.

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Re-membering the past: Margot Bethel and Nicolette Bethel take on Transforming Spaces 2015 family-style

Teaming up to transform part of the grounds at the National Art Gallery of The Bahamas (NAGB) this year are cousins College of The Bahamas Assistant Professor of Sociology Nicolette Bethel and artist and designer Margot Bethel, who will be assembling a representation of a former family home. The artwork was originally planned as a piece for the Seventh National Exhibition, Antillean: an Ecology, but the project had to be delayed due to conflicting schedules.

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Feature from the Exhibition: “Rootsy”

“Rootsy” is currently on display at The National Art Gallery of The Bahamas, as part of the Permanent Exhibition: The Bahamian Domestic. Originally on display as part of his solo exhibition, The Surface Beneath, Petit produced this piece after winning the 2012 Central Bank competition.

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Fourth Annual AAA – 2013

The National Art Gallery of The Bahamas (NAGB) is hosting its upcoming annual All-Star Amateur Artists (AAA) presented by the NAGB Education Department.The AAA was designed to bring together emerging and amateur artists to display their work in a professional museum setting. The Gallery hopes this opportunity will encourage these artists to develop their skill and study within the arts.

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Feature From The Exhibition: The Pathways

Jace McKinney’s work visually echoes the Biblical narrative of the Hebrews being delivered by God from the hands of the Egyptians where they sang a song of praise that became known as “The Song of Moses”. Mckinney’s choir is constructed from plaster molds made from the heads of young children from a grass-roots community and subsequently turned into 21 makeshift lamps. McKinney’s work acts as a metaphor for the innate divinity of the culture of youth and a call for us to elevate ourselves from our collective cynicism.

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Feature From The Exhibition: Northeast Gallery

This gallery delves into the sub-theme of balance, which in matter of Kingdom Come itself is tied to spirituality; be it societal, individual or the lack thereof. Finding Balance, Tyrone Ferguson’s aluminum sculpture distinctly focuses on this theme. The balancing of a white disc and a black disc shows the constant point of equilibrium that we all try to find in our lives on a daily basis, and seeing that the figure is on a tight rope this stability is reiterated with other things that may be occurring in the world/society, that we walk the tight rope in hopes to survive.

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Feature From The Exhibition: The Ballroom

How do you rise above life’s dramatic changes and transitions with a smile on your face or a shred of hope? Some suggest that we don’t rise above them at all but instead move with these changes, these minor and major apocalypses. Joseph Campbell philosophizes that we have to dive into the fire to find our treasure. Many of the artists in this space have dived into an abyss of some kind. Whether it be the exposure of Bahamian societal issues in Kishan Munroe’s “Beacon of Hope”, physical and emotional turmoil in Kendra Frorup’s installations “Duran Duran” and “A Constant Internal Smile” or Dede Brown’s study of rebirth in her installation “Chaos is the law of nature; Order is the dream of man”, on the most basic level these works speak to our natural human instinct for persistent survival in the midst of change.

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