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Hope Is All Around Us

Bahamian and Caribbean artists from all genres are coming together to uplift The Bahamas through hurricane relief efforts post-Dorian.

By Kevanté A.C. Cash, NAGB Correspondent. It seems as though visual artist and muralist Angelika Wallace-Whitfield may have been foreshadowing with her Ninth National Exhibition (NE9) public art project: “Hope Is A Weapon.” During these trying times, the words that the artist penned to elaborate on the work finds us at a convenient moment and feels all too real. Much like the pressing issue placed on the backs of our nation’s leaders, Bahamians who have not been severely affected by the storm and the global world who is watching.

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Summer Camp ends on a festive note: MMASC Exhibition and Awards Ceremony held at the NAGB

By Katrina Cartwright. On the evening of Thursday, August 1st, 2019 the National Art Gallery of The Bahamas welcomed over 250 individuals to the exhibition opening reception and awards ceremony for its annual Mixed Media Art Summer Camp (MMASC). Attendees were comprised of MMASC campers and camp counsellors, their families and friends, NAGB supporters and staff who all came out to support our young budding creatives who spent 2-4 weeks during the month of July working hard to create one-of-kind artworks that spoke to the camp’s theme “Parading through the Caribbean.” Although the weather was determined to put a damper on the celebration of a major accomplishment for the campers, it could not quell their excitement and joy and the pride of their supporters. Patient parents and friends squeezed into the hot and humid confines of the NAGB’s upper veranda and clapped loudly when awards were distributed and short performances by campers and counsellors were done. 

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There are several ways of finding yourself: Reporting from Tilting Axis 5

By Letitia Pratt, The D’Aguilar Art Foundation. On a late Monday at the end of May, I sluggishly – by fault of a sleepless travel day –  made my way through the airport arrivals in Pointe-a-Pitre, Guadeloupe, unaware of the new ways in which experiencing Tilting Axis 5 (TA5) would change my perspective on many things – on art, the institution, and on my own practice; and how, despite all the harrowing setbacks that I have endured, that it is important to do work in and about the Caribbean.   

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Unplugged Sessions at Fiona’s Theatre

By Kevanté Cash, NAGB Correspondent. Rashad Leamount and Chase Fernander curate the first of many soul sessions to be held at the National Art Gallery of The Bahamas. Bodies sway, hands raised and heads bop from left to right; feet resist the urge to get up and shake, while mouths formulate to ad lib the words to songs hearts may know. There is magic in the air at Fiona’s Theatre, where an eclectic group of musical artists are performing. They are setting the mood for what to make of the rest of the year with events held here, as this appears to be the start of something new. “Unplugged” a part of A Season at Fiona’s, curated by Rashad Leamount and Chase Fernander, marries the two art worlds, inviting one into its backyard.

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“Rafiki– more than just friends” Honouring and fighting for love.

By Kevanté A.C. Cash, NAGB Correspondent. I am reminded of the challenges of life, even in moments of sheer bliss, reminded of the ways we cannot be, even in moments we are. I am reminded of the complexities of living in love a as Black,  queer, artist, teacher, mother, sister, lover, friend, because it is all of these that comprise the human experience, yet none of these at all. I am reminded of themes of tried and proven love – over and over again in films such as Rafiki which in Swahili means “friend”. I would argue that the title itself was an act of intentionality and irony, as African culture, at a minimum, does not acknowledge the simple existence of queer love, in such coding lovers in terms such as “friend”. Above all of these though, I am reminded of just how boundlessly love can flow if given the space to manifest into something beautiful. Rafiki reminds me of the ways and trying times of love.

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Saucy Expressions presents ‘Riddim n Tingum’ for the National Exhibition 9

By Kevanté A.C. Cash, NAGB Correspondent . Artists Princess Pratt and Christine Wilson curate a night of poetic cultural expression to align with the theme of “The Fruit and The Seed” . Just when you thought the Ninth National Exhibition could not get any saucier—with artworks of daring themes brought forth to challenge the norms of a Bahamian society— poetic duo Saucy Expressions, represented by Princess Pratt and Christine Wilson, curates an evening of “Riddim n Tingum,” featuring rebellious words from Bahamian poets, musicians and writers, for a literary take on NE9’s “The Fruit and The Seed.”  One of the two event organisers and performance poet, Princess Pratt, says her interest in wanting to organise an event like this stemmed from the fact that she had never seen a National Exhibition that featured performance poetry before. She wanted it to be an apparatus that bridged the gap between these seemingly separate worlds of artistry. So when the call came out, she and her creative business partner, Christine Wilson, conceived and presented a proposal to utilise the NAGB’s amphitheatre—Fiona’s Theatre—as a space for what would be called “Riddim n Tingum” for the NE9.

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The NAGB takes the ITE to Grand Bahama

By Katrina Cartwright. The Inter-Island Travelling Exhibition brings an intense week of activities to the second city. On April 2nd, 2019 the National Art Gallery of The Bahamas’ Inter-Island Travelling Exhibition (ITE) lands in Freeport, Grand Bahama, bringing with it an extensive community outreach agenda inclusive of our public mural programme, free workshops, a curator’s talk, school visits (primary and secondary) and donations of museum literature for art teachers, schools and public libraries. The NAGB was last in Grand Bahama in 2016 with “Max/Amos”, which was showcased at the Charles Hayward Library. Now in its fourth year, with a new exhibition, “Trans: A Migration of Identity”, the NAGB team is taking the travelling exhibition to our second city, where it will be on display at the Rand Nature Centre from April 5th – 26th, 2019.  

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