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Painting a Park Anew

By Malika Pryor-Martin. The NAGB, ALIV and UB students team up to make the Hospital Lane North Park a true place for play. On Saturday, September 15th, 2018 from 9am-3pm, our own art museum, the National Art Gallery of The Bahamas (NAGB), thought nationally while acting locally and engaged it’s next-door neighbours with a park beautification day. The NAGB, in partnership with ALIV, has adopted Hospital Lane North Park between West Hill and Meeting Streets. Groups from across New Providence were invited to join in the celebratory day that, although it was a clean-up effort, was intended even more to bring joy to participants and a bit more charm to the historically significant community.

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Teachers’ Seminar at the NAGB jump-starts the new school year

By Katrina Cartwright. Public School Math Teachers spend some time at the NAGB. The education department at the National Art Gallery of The Bahamas fittingly began the new school year with a Teachers’ Seminar on August 21st -23rd that focused on teaching math through art and utilising the museum’s resources to enhance student learning. Over 65 junior high and high school math teachers from the public school system were in attendance as a part of their yearly summer professional development seminar.

The daily five-hour seminar incorporated a tour of the museum’s current Permanent Exhibition “Hard Mouth: From the Tongue of the Ocean,” a presentation on the techniques that can be used to integrate art and math and a series of activities that guided teachers through the various ways that the arts can be used to engage students in learning math. Each day ended with groups of teachers working together to formulate ideas that incorporated visual art into lessons that focused on a particular math topic.

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Double Dutch “Hot Water” Opens!: Climate change, Ragged Island and vulnerable ecologies explored.

By Holly Bynoe.  ​​​​​​​The “Double Dutch” series supports the concept of bringing together local and regional artists, irrespective of where they are currently residing, to work with a group of ideas personal, political and otherwise crucial to the development of a contemporary Bahamian identity. These artists and collectives are often divided linguistically and geographically but are united by common historical, economic or practice-based conditions. For this reason, the National Art Gallery of The Bahamas (NAGB) pilot project attempts to create and maintain ties throughout the Caribbean and its more extensive diaspora.

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A De-colonial Soundclash: The cacophonous chorus of the post-colony marks the end of “We Suffer To Remain”

For the closing event and finissage of the exhibition “We Suffer To Remain” -Sunday, July 29th–we are left to critically, crucially, question the work of language. “I suffer to remain, Saint of a wild mad Land”. The Caribbean has transitioned from this “wild, mad land” of disease and mystery into the tropical Eden we ubiquitously see in media today. But just what makes this place what it is? Who suffers to remain, and who are the saints and sinners? Sometimes it is easy to get lost in the cacophony of voices in the history of this region. In a place suffering from the silencing of so many, it is harder still to discern what voices are speaking – be they loud, soft, deafening, or a whisper. 

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