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We Lost Two Cultures That Day: Hurricane Irma and the Loss of Cultural Material

By Natalie Willis. It’s easy to think of culture as being purely in the hands of the people: it’s in our mother tongues, our food, our dance and architecture. And, in many ways, it is. But it also leaves a residue, it sticks to our spaces and buildings and trees and forests and oceans, so that when our elders pass on, they leave just a tiny bit of themselves around for us to remember what we come from and we build upon that. With this in mind, and with heavy heart, we must look to the implications of Irma and her aftermath. Both Inagua and Ragged Island were deemed uninhabitable this week and it is important to look at the full extent of what that means… We lost two cultures.

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The Culture of Space: Places for Art

By : Dr Ian Bethell-Bennett

The post office stands at the top of Parliament Street on East Hill street, a monument to 1970s development. It stands now condemned. The Churchill building stands condemned, much like the Rodney Bain Building on the verge of Parliament Street Hill on the way to the post office.  Condemned buildings populate the city of Nassau.  The shift has been rapid; from a thriving colonial backwater settled by administrators and Loyalists to a post-colonial shadow of colonial rule, to a derelict city of decay. This shift has been enormous. 

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What’s in the frame: Tourism, art, installation and rebuilding the old whore of a body

By Dr Ian Bethell-Bennett. Frames capture or remove things, images, objects, people for or from the public eye.  The frame of the photo can bring something into sharp focus, or it can reduce that same thing into an abstraction in the fore or background and highlight something else. One image usually metaphorically represents an entire discourse and political, economic and socio-cultural paradigm, a way of thinking about enslaved bodies and their relation to consumer politics, that is to say, discourses of otherness and sexualisation.  

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If an entire population moves, is it still a nation?: The consequences of censoring self.

By Dr Ian Bethell-Bennett. Sam Shepard has died. Sam Shepard has died and we are left to remember his works.  It is a different dying than Derek Walcott because he is further away, perhaps, but he throws into sharp relief our refusal to see ourselves as we pass through our everyday lives. A country teetering on the verge of yet another downgrade, a society shrouded in debt but unwilling to spend less because tings coss more and VAT bite me in my…? Perhaps to see their lives, their futures.

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Mixed Media Summer Art Campers Shine at August Opening: The Joy of Fostering Creativity

By Malika M Pryor. The air was filled with anticipation, impatient little legs swinging from the laps of their parents, who were awaiting the brief remarks and activity ahead. Younger siblings toddled through the centre aisle while teens, hovering in the back rows, eyed the assortment of fruits and cakes little more than an arm’s length away. The scene described would seem more fitting for a wedding but, in fact, it was the opening reception for the NAGB’s Mixed Media Summer Art Camp’s (MMSAC) 2017 Exhibition, A Journey Through Time: Telling Our Story. Taking centre stage in the cube-shaped gallery within a gallery, or Project Space (The PS), campers’ art transformed the room into a fantastic burst of colour, light and joy on Tuesday, August 1st.

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Gendered norms and deconstruction: The body, the image and the ability to speak out for self.

By Dr Ian Bethell-Bennett.As The Bahamas moves into a new administration, 50 years of Majority Rule and over 40 years of independence have done little to remove the boundaries around free expression and positive self-imaging.  Basking in its Victorian properness, as long as it is useful, the tourist destination boasts a particular image of Caribbeanness that is acceptable and palatable to the population because they have been taught to accept it. 

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