Stories Archives - Page 20 of 31 - National Art Gallery of The Bahamas

Reporting From Rome: The Care in Curating

1 August 2017 Natalie Willis

By Natalie Willis. Three weeks of Italian summer and being surrounded by art professionals sounds like a dream, and in many ways, of course, it is. From the “shallow” things—like eating gelato for breakfast (which, I’ll have you know, is entirely civilised)—to the deeper stuff, of discussing intense readings around the purpose and history of curatorial practice and being able to view Caravaggio paintings in resplendent old buildings, the Goldsmiths ‘Curating The Contemporary’ summer art intensive, hosted at the British School at Rome, was an education, and in ways I had not anticipated. I was supported by the Charitable Arts Foundation as well as The National Art Gallery of The Bahamas to embark on this journey of professional development that would prove to also be one of intense personal development

Gender and the Dream: Confronting Stereotypes in Black masculinity.

25 July 2017 Natalie Willis

By Dr Ian Bethell-Bennett

The dream sold is of young men being told that they are prosperous, only to realise that they are imprisoned in a tangled web of failure or underachievement. Young men from the inner city, once the thriving home of Blacks–forced by segregation and reduced circumstances to live in particular parts of town–is cast as the worst place in the country, a place that only produces criminals.

Art Documenting History: Intersecting complex histories with art

17 July 2017 Natalie Willis

By Dr Ian Bethell-Bennett. Art is a well-known document of history. All types of creative expression chronicle the moment they depict. Portraits, much like those on display in Museo Nacional del Prado in Madrid are examples of this, especially the Goyas, for example. This column chooses to focus on the interlocking of art and history: “Art History,” its learning and teaching. So much happens in this somewhat fraught intersection between art and history, especially in a country like ours, where scant attention is paid to culture, except for its commodification and consumption.

Mixed Media Summer Art Camp: Igniting creativity

5 July 2017 Natalie Willis

By Malika. N Pryor-Martin. The National Art Gallery of The Bahamas’ (NAGB) Mixed Media Summer Art Camp (MMSAC), is a program designed with creativity, discovery, and fun in mind – every day. A blend of art exploration and classic camp activity, the MMSAC serves as a space where young people are learning without even knowing it. From the very youngest to the most senior participant, the goal of the camp is to encourage our campers to express the full range of their creative ideas.

World Oceans Day Mural: Protecting our seas and supporting public artworks

4 July 2017 Natalie Willis

By Natalie Willis.A national institution of art coming together with one of the biggest hotel corporations doesn’t sound like your usual pairing – but public artwork has no prejudices, no bounds, and as such, the most unlikely collaborations can often be the most fruitful. The NAGB, along with Sandals Royal Bahamian and the Sandals Foundation have teamed up to bring forth a lighthearted public project with a serious message. For World Oceans Day, established visual artists in the community were commissioned to produce a vibrant wall mural with the idea of drawing attention to the need to not just protect our waters, but to truly care for them as they are such a strong part of what makes our country the place it is – in geography, in culture and especially in our history.

The Mark of a Woman: Portraits of black womanhood in the work of Gabrielle Banks.

26 June 2017 Natalie Willis

By Natalie Willis. Reclining nudes, women posed ‘just so,’ we’re all quite accustomed to this kind of figuration and portraiture in the art world. Even those of us who are just dipping our toes into the wonders of the art world associate art with this kind of imagery. Art students at universities the world over can be found squinting in deepest concentration, poring over their depictions of a nude model before them – often a woman – and trying to figure out form, perspective, how to capture the ‘essence’ of this stranger they’ve met. It’s part of the canon, in many ways.

Balancing Act: Heino Schmid’s “Temporary Horizon” (2010)

19 June 2017 Natalie Willis

By Natalie Willis.Heino Schmid’s practice can perhaps be described as slippery or amphibious – and it’s not so much to do with the water, as it is to do with his fluidity in dealing with the bounds of what we believe to constitute drawing, sculpture, painting as separate genres – the proverbial lines in his practice become blurred. This movement between the medium and the means is why “Temporary Horizon” (2010) was chosen for the current Permanent Exhibition, “Revisiting An Eye For the Tropics” on display at the NAGB.

Losing our steps: Intangible culture, living memory and the space for a culture to exist

14 June 2017 NAGB

By Dr. Ian Bethell-Bennett. “And thy heaven that is over thy head shall be brass, and the earth that is under thee shall be iron. The LORD shall smite thee with madness, and blindness, and astonishment of heart. Deuteronomy 28: 23 + 28.” I cannot say why this quote from Los pasos perdidos (1953) by Alejo Carpentier the Cuban writer and musicologist resonates with the work of capturing or documenting cultural heritage in the Southern Bahamas. However, these words capture beyond reason so much of what time has done in these islands. We, as a people, also treat Bahamians as if they were second-class citizens in their country. The system of paradise and exploitation, created during piracy and continued during colonialism, is not about white against black but rather about a system of exploiting those who cannot—or are not allowed—to speak for self because they are repeatedly told they do not have souls, they are not human and they should be grateful to be allowed to be near such greatness.

Lamare’s Frame Building Workshop brings a crowd: Hands on experience at the NAGB

13 June 2017 Natalie Willis

By Katrina Cartwright. As a part of his retrospective “Love, Loss and Life,” artist Thierry Lamare hosted a frame-building workshop at the National Art Gallery of the Bahamas (NAGB) on May 20, 2017. In just over three hours, he generously shared techniques that he has used to build driftwood frames for his paintings over the years. More than thirteen people from diverse backgrounds and varying degrees of experience were in attendance. Artists, art enthusiasts, craftspersons and a few do-it-yourselfers came seeking to acquire a new skill, build on existing knowledge or satisfy their curiosity.

Cultural development and investment: The recognition of our cultural heritage

31 May 2017 admin

Cultural heritage, shockingly, is actually not unique to or owned by a people unless it is inscribed as such. So, as a nation, we think we are the sole practitioners of Junkanoo the way we perform it on Boxing Day morning and New Year’s Day morning, however, this unique cultural relationship does not endow us, The Bahamas or the Bahamian people with the right to use Junkanoo as we wish. We do not own the practice nor do we benefit from it, despite the fact that whenever we are invited as a country to an arts or culture festival we tend to drag an entire Junkanoo group with us. The nation and the state have been historically irresponsible when it comes to officially claiming and so protecting our cultural heritage.