Stories

“Traversing the Picturesque: For Sentimental Value” – The Colonial Gaze

A-Figuration: Emerging artist Nowé Harris-Smith’s obscured figures on view at the NAGB

The Case for Lavar Munroe: The Son of Soil

Rebirth: Field Notes on Loss and Belonging

Creative Youth: Reevaluating Our Values and the Work of Young People

Unpacking Identity with Joiri Minaya

From The Collection: “Bay Street on Fire” (2002) by Blue Curry

From the Collection: “Untitled (Boat Scene)” (c.1920) by James “Doc” Sands

A Botanical of Grief: Yasmin Glinton and Charlotte Henay Connect with Ancestors’ Voices and Put Mother Tongue to Poetry

Breezes Through Long Cay—Chapter I: As Stories Fade

“When the Lionfish Came”: Tamika Galanis Gives Voice to the People of the Reef amid Dangerously Rising Tides

From the Collection​: Heino Schmid’s North Star (2007-8)

Sitting Pretty Political: Amos Ferguson and the Reclining Women of Art History

This has all been said before: Art, Racism and the words of representation

The God Self: Lessons on Self-Love from Emerging Artist Cydne Coleby

The Visual Life Of Social Affliction: Structures of Violence in the Caribbean

Re-Encounter: Thoughts of a Mad Mind

A Choice Landscape: The Early Work of the Late Chan Pratt

Max and Amos: Enchantment and Magical Realism in Service to Freedom

The Art of Living in the Tropics, Part Three: Silence

Margot Bethel’s Portal: Unpacking Memories of Womanhood

From the Collection: “Untitled (Rake Bird)” by Tyrone Ferguson

Of Beauty, Community, and Healing

Chan Pratt’s Work Speaks to the Urbanisation of the Bahamian Landscape

Check Yourself: Thinking About Stereotypes and Chan Pratt’s Sincerity in Painting Over-the-Hill

The Liberal: Thierry Lamare’s Sincerity in Rendering Bahamian Life

The Sea as Life: Cargo and VLOSA

Allan Wallace’s ‘Let There Be Order’

Mhudda: Jackson Burnside’s socially aware look at the struggles of the Bahamian “everyday”

If an entire population moves, is it still a nation?: The consequences of censoring self.

Gaia Reimagined: “Mother Earth” (1992) by Clive Stuart

My Mouth is a Heartbreak: Anina Major’s “Wisdom Teeth” (2017)

‘Slam-Bam’ Sands: ‘The hastily hand-coloured colonial postcards of James “Doc” Sands.’

Re-membering the past: Margot Bethel and Nicolette Bethel take on Transforming Spaces 2015 family-style

The art of living in the tropics: An art of survival?

From the Collection: “On the Way to Market” (ca. 1877-78) by Jacob F. Coonley

The Power of Imprisonment through language: The Eye for the Tropics and Majority Rule in The Bahamas

From the Collection: “Metamorphosis” (1979) by R Brent Malone

“The Story of “ETA”: Blue/Green Ragged Island” Ideation in Art and Design

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

Kendra Frorup’s Domestic Chickens

The Problems of Paradise: Thoughts on Traversing the Picturesque

The Life and Death of Street Trees: Jenna Chaplin’s call to attention for the importance of street trees for the upcoming NE9

Sinking: Field Notes on Loss and Belonging

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action