Stories

The Problems of Paradise: Thoughts on Traversing the Picturesque

Cultural Tourism on Exuma: A Gem for Few, a Gem for All

“The Story of “ETA”: Blue/Green Ragged Island” Ideation in Art and Design

“Who the Hell Do I Think I Am?” (2012) by Margot Bethel

The Role of the Arts in Addressing Climate Change

Indigeneity and Art: Defining Our Values

The Liberal: Thierry Lamare’s Sincerity in Rendering Bahamian Life

“West Street” by Hildegarde Hamilton

The Art of Living in the Tropics, Part Three: Silence

Gaia Reimagined: “Mother Earth” (1992) by Clive Stuart

Creating Thinking Spaces: Opportunity to Think, Build, and Grow

Justin Benjamin Explores Interiority in Vantage

I’s Man: Ian Strachan’s documentary on masculinity in The Bahamas captures the polemics of today’s ‘Man Crisis’. 

The January Artwork of the Month is ‘Beller’

From the Collection: Dave Smith, Let Us Prey, 1984-86

A Distant Bahamas: “Native Hut” (1915) by Hartwell Leon Woodcock

Civil Engagement as Culture: Unearthing Voices

Peggy Hering’s “Lilies” (1984): On Being Both Student and Teacher

From the Collection: “Cycle of Abuse” (2017) by Sonia Farmer

Golden Touch and Go: Jace McKinney’s imagines golden kings and living dangerously in “Trumped” (2013)

 From the Collection: “East Street With Donkey and Cart” (1914) by E J Read

Sorry for What: I am not the sugar in your cup of tea

‘Picture Nassau’: Capturing and Redefining the Cultural Landscape

Grave Silence: Sonia Farmer and Shivanee Ramlochan Give Voice to Victims of Rape in The Caribbean

Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

“That Vodou that who do?”: Ancestry, heritage, memory, and light in the work of Eric Jean-Louis.

Balancing Act: Heino Schmid’s Temporary Horizon (2010)

Amos Ferguson’s ‘The Queen Staircase’

Between the Devil and the Deep Blue Sea: Lavar Munroe deconstructs “The Arrival”

Climate Refugees: On Becoming Climate Refugees or Building Back Differently

A Sustainable Future For Exuma: Learning to live within our means, and with each other as global citizens

From the Collection: John Paul Saddleton’s “West Hill Hidden Garden”

From the Collection: “Built on Sand” (2003) by Dionne Benjamin-Smith

Both Sides of the Coin

From the Collection & Into the Void: “Transformation” (1987) by Jolyon Smith

“John Beadle’s Row Yah Boat: Merrily, merrily, merrily, merrily life is but a dream.’ Wake up!”

From the Collection: “Poor Man’s Orchid” (1989) by Sue Bennett-Williams

Brent Malone’s “Seaside Village” is the February Artwork of The Month

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

The Life and Death of Street Trees: Jenna Chaplin’s call to attention for the importance of street trees for the upcoming NE9

The Case for Lavar Munroe: The Son of Soil

From The Collection: Amos Ferguson’s “Junkanoo Cow Face”

A Repository of Memories

MasC Off: NE9 Artists Challenge Social Binary Views on Gender

(Un)Monumental: How Do We Re-contextualise Historic Sculptures for Contemporary Life?

The Long Eye of Culture: A Mash Up, a Hybrid