Stories

Articles

Lamenting Slavery: Unearthing our history through art.

Cultural Heritage & Erasure: “Protecting our inheritance and patrimony”

If an Entire Population Moves, Is It Still a Nation?: Post-Irma and Post-Colonial Devastation

Breezes through Long Cay. Chapter 1: As Stories Fade

From the Collection: Lavar Munroe’s “The Migrant”

Speaking of culture: Thinking about change

“Wellington Street Dwelling”: Exploring the Bahamian Vernacular

Gaia Reimagined: “Mother Earth” (1992) by Clive Stuart

Utopian Ecologies: Alex Timchula’s microcosmic garden sculpture for the NE9

The Beauty and Charm of Colonialism: April Bey’s “Power Girl” Series

“West Street” by Hildegarde Hamilton

Considering culture: More than a smile

From the Collection: John Paul Saddleton’s “West Hill Hidden Garden”

Remedies for Remembering: Darchell Henderson’s new mural on Hospital Lane reminds us of our histories of healing.

“John Beadle’s Row Yah Boat: Merrily, merrily, merrily, merrily life is but a dream.’ Wake up!”

Creative Youth: Reevaluating Our Values and the Work of Young People

“When the Lionfish Came”: Tamika Galanis gives voice to the people of the reef amid dangerously rising tides

Locked in Our Bodies: A Resurrection of Voices

Environmental Force: On Abstraction and the Nature of Survival

Colonial Desires in the 21st-Century: Using Our Image Purposefully

It’s not just black and white: It is also colour, light, shift, and feeling

Climate Refugees: On Becoming Climate Refugees or Building Back Differently

Earthenware figurines of women, featuring rounded forms, sit on a ledge against a peach-pink wall.

The Black Woman Body Paradox

(Un)Monumental: How Do We Re-contextualise Historic Sculptures for Contemporary Life?

Beauty in Bain Town: How does Over-the-Hill Fit Into the Bahamian Picturesque?

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

Activism as art, art as activism: How social practice opens dialogue for safe spaces and healing

From the Collection: Michael Edwards’ “Untitled II”

Pasting Colours: Envisioning Alternatives

“Water: The giver and the taker of life”: Edrin Symonette’s “Salt of the Earth”

From the Collection: “Untitled (Rake Bird)” by Tyrone Ferguson

“The Story of “ETA”: Blue/Green Ragged Island” Ideation in Art and Design

Strange Fruit: Kendra Frorup’s Poignant Banana Plumes

Vulnerable ecologies: This Woman’s Work

Feature from the National Collection: Emancipation Day Boat Cruise

The Case for Lavar Munroe: The Son of Soil

From the Collection: “Solomon” (2000) by Stan Burnside

Painting to heal: Artist Gabrielle Banks lays bare the burdens of her troubled past