Stories

Articles

The Provocative: Drew Weech plays with the history of the nude in Western Art

How To: The Proper Conservation and Preservation of Paintings

Care in the Craft: “Young Children” (nd) by Frank Otis Small

Hearth and Heart – E. J. Read’s ‘Clay Oven’

Lavar Munroe’s ‘Migrant’

Gender and the Dream: Confronting Stereotypes in Black Masculinity

‘Slam-Bam’ Sands: ‘The hastily hand-coloured colonial postcards of James “Doc” Sands.’

Owning our Image: Radical reclamation of self

From the Collection: Maxwell Taylor’s “The Immigrants No.3” (c1990)

Cultural Heritage & Erasure: “Protecting our inheritance and patrimony”

From the Collection: “Built on Sand” (2003) by Dionne Benjamin-Smith

From the Collection: Blue Curry’s Nassau From Above

“Prayer in a Dark Place” (2013) by Jace McKinney: Hope in spite of sinking feelings

From the Collection: “Solomon” (2000) by Stan Burnside

(Un)Monumental: How Do We Re-contextualise Historic Sculptures for Contemporary Life?

If an Entire Population Moves, Is It Still a Nation?: Post-Irma and Post-Colonial Devastation

Sinking: Field Notes on Loss and Belonging

The Mark of a Woman: Portraits of black womanhood in the work of Gabrielle Banks.

Kendra Frorup’s ‘Domestic Chickens’

If an entire population moves, is it still a nation?: The consequences of censoring self.

Pasting Colours: Envisioning Alternatives

A Sustainable Future For Exuma: Learning to live within our means, and with each other as global citizens

The Power of Imprisonment through language: The Eye for the Tropics and Majority Rule in The Bahamas

Through the Eyes of a Tourist: Oh Island in the Sun, Funky Nassau

In the wake of storms:  Moving forward as a nation displaced

Creative Youth: Reevaluating Our Values and the Work of Young People

Breezes through Long Cay: Chapter 2

From the Collection: “Let Us Prey” (1984-86) by Dave Smith

From the Collection​: “North Star” (2007-8) by Heino Schmid

From the Collection: “A Distant View of Nassau” (c.1857-1904) by Jacob F. Coonley

There’s a Man on the Floor: Edrin Symonette’s Man Skin Rug

A Distant Bahamas: “Native Hut” (1915) by Hartwell Leon Woodcock

Environmental Force: On Abstraction and the Nature of Survival

Brent Malone’s “Seaside Village” is the February Artwork of The Month

Art Documenting History: Intersecting complex histories with art

From the Collection: Lavar Munroe’s “The Migrant”

Potter’s Cay: Markets and the Importance of Public Spaces

Remedies for Remembering: Darchell Henderson’s new mural on Hospital Lane reminds us of our histories of healing.

Justin Benjamin Explores Interiority in Vantage

Of Beauty, Community, and Healing

From the Collection: “Untitled (Rake Bird)” by Tyrone Ferguson

From the Collection: Chelsea Pottery “A Brief Bahamian History of Clay”
Shuffle!