Stories

Made in The Bahamas: Authentic Action, Authentic Support

Something About Failure: Tessa Whitehead’s intimate questioning on success, failure, and what makes art work.

The Weight We Bear: Heino Schmid’s monumental drawings in NE9

Care in the Craft: “Young Children” (nd) by Frank Otis Small

Vulnerable Ecologies: This Woman’s Work

“That Vodou that who do?”: Ancestry, heritage, memory, and light in the work of Eric Jean-Louis.

March’s Artwork of the Month—Maxwell Taylor’s ‘Nassau Boy’ (1973)

Golden Touch and Go: Jace McKinney’s imagines golden kings and living dangerously in “Trumped” (2013)

Push Out: Jodi Minnis and Ian Bethell-Bennett Investigate the Mythologies and Futures of Gentrification in Over-the-Hill

The God Self: Lessons on Self-Love from Emerging Artist Cydne Coleby

Majority Rule: A Snapshot of Our Identity

From the Collection: “Poor Man’s Orchid” (1989) by Sue Bennett-Williams

Returning the Gaze: Melissa Alcena in NE9

A mélange of culture: Prominent intuitive artist documents heritage

From the Collection: Jolyon Smith’s “Transformation” (1987) and imagining Black Bahamian futures

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

Gendered Norms and Deconstruction: The Body, the Image, and the Ability to Speak Out for Self

My Mouth is a Heartbreak: Anina Major’s “Wisdom Teeth” (2017)