All posts tagged: Re:encounter

Unpacking Identity with Joiri Minaya

The sixth iteration of Double Dutch “Re: Encounter,” featuring the works of Dede Brown and Joiri Minaya, starts to address how important it is from a curatorial perspective to provide opportunities for artists, who are looking for ways to mitigate the sense of frustration that they feel within their practice, by allowing a moment to experiment.  The following is the first in a two-part series of long-form Q+As that seeks to expand upon both projects. We connect with Joiri Minaya, a Dominican-American multi-disciplinary artist whose work deals with identity, otherness, self-consciousness and displacement.

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(Un)Monumental: How do we re-contextualise historic sculptures for contemporary life?

As we have seen in “Re: Encounter” artists can often speak to the idea of the monumental both in size and in content. Dede Brown presents ambiguous humanoid busts, absent and cut out of wood and masonite, which are suspended from the ceiling – perhaps un-monumental in their own way. Playing into this in a different respect, Joiri Minaya presents us with a monumental wall of stretchy fabric that spans the width of the ballroom, but also gives us a series of postcards depicting a proposal for artistic intervention on the Christopher Columbus monument that sits at the front of Government House, making good use of both sides of this double-meaning of the word.

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Re-Encounter: Thoughts of a Mad Mind

So much of our lives is defined by our relationship with space and indeed with water, or a space that is not a space, but is actively always churning and redefining itself and its boundaries.  We engage at a new level now as boundaries mean little, except for the new and ever-increasing global boundaries that allow capital flow but insist on barring the flow of people.  We live in a time of shifting and yet unchanging spaces. 

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