All posts by Katrina Cartwright

Blank Canvas: November 15th, 2017, Pro Gallery Celebration

On tonight’s “Blank Canvas,” joining host Amanda Coulson are Allan Jones, an emerging creative and photographer whose exhibition, A Gull’s Eye View, is on view until November 19th at the University of The Bahamas (UB); Suhayla Hepburn, a UB English Major, who will be participating in a Poetry Night as part of the End of Year Show collaboration; Keisha Oliver, UB Assistant Professor, who has been coordinating and promoting the Pro Gallery; and Matthew Rahming, a UB Art Major who has been assisting with installations at the Pro Gallery.

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Two Arts Professionals: One Mission

“It’s the National Collection, not the Nassau Collection.” That was the sentiment, expressed by NAGB Assistant Curator Natalie Willis and triumphantly echoed in the National Art Gallery’s very first travelling exhibition. At its heart an outreach project, Abby Smith, the NAGB Community Outreach Officer led the way. What began as a visit to one island, evolved into a four island tour that included workshops, curator talks and school visits. However, none of it could transpire without the art and the story.

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The MAX/AMOS Exhibition: Last Stop, Exuma

In the fall of 2015, NAGB director Amanda Coulson gave a directive: We must take art to the Family Islands, starting with Grand Bahama. So, Community Outreach Officer Abby Smith got down to the business of developing an exhibition that would also be an act of community and cultural affirmation – using the National Collection. With Assistant Curator Natalie Willis, herself a Grand Bahamian, the two co-curated the museum’s first inter-island exhibition – “MAX/AMOS: A Tale of Two Paradises”.

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Blank Canvas: November 8th, 2017, Marina Reyes Franco

Joining us on this week’s “Blank Canvas” is curator Marina Reyes Franco from Puerto Rico, who is currently traveling around different nations in the region as this year’s recipient of the 2017 Colección Patricia Phelps de Cisneros (CPPC) Travel Award for Central America and the Caribbean, a joint effort between the CPPC Travel Award and Independent Curators International (ICI).

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Blank Canvas: November 1st, 2017, Melissa Alcena

On tonight’s “Blank Canvas,” we re-visit with young Bahamian photographer, Melissa Alcena. Alcena has already made a strong impression on the local art scene, with her involvement in the recent exhibition at the D’Aguilar Art Foundation in the group show “Diversions,” which is on view until November 7th. She now embarks on, “Some (re)assembly required,” her first solo exhibition in The Bahamas at the NAGB’s Project Space, where visitors can get a deeper understanding of her photography practise.

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Blank Canvas: October 18th, 2017, Averia Wright and Spurgeonique Morley

Returning to “Blank Canvas” are two young Bahamian artists who, until now, have been known as ceramicists. Averia Wright, completed her BFA in Ceramics at the University of Tampa, returned home to work at the NAGB for 4 years as an Assistant Curator, and is now completing her masters (MFA) in “Expanded Practice” at Ohio University. Spurgeonique Morley received a BA in Art Education from UB and was one of the first year of graduates under the newly-formed university. As a practicing artist she has presented at the NAGB, in Transforming Spaces and at Hillside House, among other locations.

 

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Blank Canvas: October 11, 2017, DeDe Brown and Joiri Minaya

Tonight’s “Blank Canvas” sees Bahamian artist, Dede Brown (left), in conversation with Dominican-American artist, Joiri Minaya (right), her collaborator on the next NAGB exhibition, “Double Dutch: Re : Encounter.” The NAGB’s Double Dutch series was conceived as a way to bridge our regional divides, by bringing artists from the region and diaspora together to produce provocative bodies of work through collaboration and exchange.

 

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