By Dr Ian Bethell Bennett. Tie a black piece of cotton around the child’s wrist, Don’t walk outside at night without covering the child’s head, Be careful how you come into the house at night, Wipe your feet off well. Cover the mirrors with cloth, Open the house if the coffin comes by, let the spirit travel through, Rosemary helps keep away bad-minded things… To our mind, these are all local lore. To many, these are discredited as they are lumped together with Obeah and dismissed as ‘evil, black, Dark and African.’ Our double-consciousness denies the survival or the importance of such cultural elements as Asue, Lodges, Burial Societies, Friendly Societies, all of which allowed our spiritual and physical survival during and after slavery.
By Dr Ian Bethell Bennett. The Bahamas has quickly become a country with multilayered and multifaceted youth conflicts. Over the last ten years, these issues have taken the fore and removed the focus from real and positive change. Violence, youth disengagement and youth disaffection can be addressed through creative expression and creative practice. However, in a school system that argues for a focus on the STEM and not STEAM, but without any real engagement–where art and performance are seen as outside and unwanted stepchildren–it is significant that some young Bahamians are excelling in their work and their creative expression.
By Natalie Willis. Looking at this photograph, “distant” is certainly apt in different facets of the word. It is a distant, far off view. It is a distant time, a bygone era. It is also a distant idea to think of Nassau in this way – so largely uninhabited with stretches of green bush for miles, sisal and rocky paths to illustrate this difficult land – formerly difficult for our floral inhabitants, now harder for the people living in what feels like harsh social terrain. The reactions witnessed to this image are very telling, the astonishment on locals faces when they try to imagine a Nassau like this seems like having to tell someone to imagine us in prehistoric times, not just over 200 years ago. That surprise speaks to the way the development has become so utterly integral to our identity in the capital, and truly the country as a whole.
Melissa Alcena’s solo show currently on view in the Project Space through December 3rd, “Some (Re)assembly Required,” speaks to this puzzle-piecing together and rebuilding and reclaiming of the chunks of softness that has been chipped away from Black men for so long.