Through sound and poetry, Tanicia Pratt transforms a simple signal into a call for awareness and response to gender-based injustices.
Roberts engages with histories of the past, particularly those that have been erased or ignored through colonisation.
Cin’s intention for this work was to talk about the precarity of the straw industry, in which so many workers and materials are underpaid.
The NAGB’s National Exhibition (NE) programming acts as a finger on the pulse of Bahamian art. As our, usually, biennial check-in on the status of creative visual culture in the country, the NE acts a gauge to see what our creative expression says about us as Bahamians: citizens, diaspora, and residents alike. After reaching our landmark 10th National Exhibition, NE10: “MERCY”, we must ask the question: how do we grow from here?
Joining host, Amanda Coulson, on The Blank Canvas tonight are Tessa Whitehead, curator of the upcoming show at The D’Aguilar Art Foundation, entitled “Diversions” and participating artists Melissa Alcena and Sofia Whitehead.
Whether we were watching and waiting for the storm to hit directly, or watching and waiting for it to pass from the safety of our own sofas, Christina Wong’s “Everybody and Dey Grammy #hurricanedorian” (2019) struck a cord (and plucked on heartstrings) for all of us. From the hashtag to the sentiment of everybody collectively waiting with bated breath, we felt Hurricane Dorian as a nation — not in a nationalist sense, but rather as people living in, from and tied to this landscape, “born Bahamian” or otherwise.
As life on islands finds a new normal, we see the importance of connectivity and awareness. Much has been revealed by Dorian’s passage, from the lack of bill payment by some agencies for private companies’ services to aid storm victims, to the need for closer links between people with communities. The beauty of art is that it can capture so many emotions and open up valuable conversations about how and where we live. Naomi Klein in her work The Battle for Paradise (2019), illustrates the gap between words used to rebuild in Puerto Rico in the wake of Maria and Irma and the reality of dispossession and displacement.