Stories

A Choice Landscape: The Early Work of the Late Chan Pratt

From the Collection: “Built on Sand” (2003) by Dionne Benjamin-Smith

Returning the Gaze: Melissa Alcena in NE9

“I ga’ gee’ you what you lookin’ for!”: Tamika Galanis gets to the heart of the Caribbean’s history of looking

Seeking Divine Creativity: Allan Wallace’s new works revisits his religious upbringing

A Small Place: Curator’s Essay

Welcome to the Past, Present, and Future: A Caribbean Futurist Read of Antonius Roberts’ Mabrika

Amos Ferguson’s Junkanoo Cow Face: Match Me If You Can

Sitting Pretty Political: Amos Ferguson and the Reclining Women of Art History

The Weight We Bear: Heino Schmid’s monumental drawings in NE9

The Wisdom of Amos Ferguson: Reflections on “Hard Mouth: From the Tongue of the Ocean”

There’s a Man on the Floor: Edrin Symonette’s Man Skin Rug

From the Collection: “On the Way to Market” (ca. 1877-78) by Jacob F. Coonley

Something About Failure: Tessa Whitehead’s intimate questioning on success, failure, and what makes art work.

Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

From the Collection: Maxwell Taylor’s “The Immigrants No.3” (c1990)

Sounding the Alarm: Tanicia Pratt’s Blow the Whistle

“When the Lionfish Came”: Tamika Galanis Gives Voice to the People of the Reef amid Dangerously Rising Tides