Stories

Designing for Space: Working with Possible Futures in Mind

Boiling: Field Notes on Loss and Belonging

“Wellington Street Dwelling”: Exploring the Bahamian Vernacular

“I ga’ gee’ you what you lookin’ for!”: Tamika Galanis gets to the heart of the Caribbean’s history of looking

Re-membering the past: Margot Bethel and Nicolette Bethel take on Transforming Spaces 2015 family-style

The Clapboard House: A Disappearing Relic Within the Bahamian Landscape

Colonial Desires in the 21st-Century: Using Our Image Purposefully

Something About Failure: Tessa Whitehead’s intimate questioning on success, failure, and what makes art work.

Beyond Objecthood: The Straw Baskets of William ‘Old Iron’ Colebrooke

From the Collection: “The Deanery” (1979) by Alton Lowe

“West Street” by Hildegarde Hamilton

“John Beadle’s Row Yah Boat: Merrily, merrily, merrily, merrily life is but a dream.’ Wake up!”

Boundaries, Borders and Brotherhood: “Proxemics: Personal Space/Commanding Stance” (2015) by John Beadle

The Straw Paradox

From the Collection & Into the Void: “Transformation” (1987) by Jolyon Smith

Jace McKinney’s Prayer in a Dark Place

From the Collection: Chelsea Pottery “A Brief Bahamian History of Clay”

Demure Facade, Colourful History: Sterling Miller’s “Villa Doyle” (c. 1969)