Curry’s gamut of work usually involves some form of tongue-in-cheek critique of the tourism culture of The Bahamas, but this earlier work which stands in the National Collection from 2002 deals more with public response and representation than tourism as it is. The link is still there of course, as the Straw Market on Bay Street has been well known as a spot for tourist consumerism since the 1800’s, with the particular branding of the space that we know today coming out of a revamp in the 1920’s. Previously, however, the site was used as a market of a different kind, to process enslaved Africans to be sold later at the Vendue House.
From The Collection: “Bay Street on Fire” (2002) by Blue Curry
