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Welcome to the Past, Present, and Future: A Caribbean Futurist Read of Antonius Roberts’ Mabrika

Antonius Roberts’ Mabrika invites visitors into a suspended sea of silk cotton canoes, blending Lucayan ingenuity with Afro-Indigenous aesthetics to explore histories erased by colonization. This immersive installation envisions a pluralistic Caribbean futurism, where ecological and cultural pasts intersect with pressing questions about climate change, survival, and decolonization, offering a timeless meditation on progress and sovereignty.

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19 Years of Bold, Biggity, Bahamian Art: Where Do We Go From Here?

The NAGB’s National Exhibition (NE) programming acts as a finger on the pulse of Bahamian art. As our, usually, biennial check-in on the status of creative visual culture in the country, the NE acts a gauge to see what our creative expression says about us as Bahamians: citizens, diaspora, and residents alike. After reaching our landmark 10th National Exhibition, NE10: “MERCY”, we must ask the question: how do we grow from here?

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