Tonight on Blank Canvas, guest host Michael Edwards, Associate Professor at UB and member of the Expo2020 UB team, is filling in for our regular host Amanda Coulson. He is joined by other group members: Moriah Lightbourne (Visual Art), Ashley McClain (English), Ide Thompson (English and History) and Dr. Ian Bethell-Bennett, Associate Professor, English and Cultural Studies.
Tonight on Blank Canvas, guest host Communications-Development Officer Malika Pryor-Martin interviews with the team from ALIV about the work they are doing to bring history and The Bahamas to life via the Discover App, an augmented reality app designed for locals and visitors alike to design their very own tour or cultural experience. The map, which will soon be available in the Mixed Media Store at the NAGB, is a 2D adventure that utilizes voice, image and even video to tell the story of wonderful institutions and landmarks, like the NAGB, as well as provide a sense of what you’ll find if you venture inside.
The Blank Canvas studio is packed tonight! Six of the members from the Plastico Fantastico collective join us to talk about their project, opening tomorrow night at the NAGB, “Hot Water,” a collaboration between them and Expo 2020 from the University of The Bahamas.
Tonight on Blank Canvas, host Amanda Coulson is joined by Michael Edwards and Dr. Ian Bethell-Bennett, Associate Professors at UB as they discuss Expo 2020’s participation in the upcoming Double Dutch exhibition, “Hot Water,” at the NAGB.
On tonight’s Blank Canvas, guest host Malika Pryor-Martin, Communications and Development Officer for the NAGB is joined by Katrina Cartwright, NAGB Education Officer, Abby Smith, NAGB Community Outreach Officer and Reagan Farrington, UB art student and summer camp counsellor, to discuss the aftermath of the museum’s amazing Mixed Media Art Summer Camp (MMASC).
Blank Canvas this week focuses on the roving Caribbean art conference “Tilting Axis,” co-founded by current NAGB Chief Curator, Holly Bynoe (far left) and Annalee Davis, founding director of Fresh Milk, Barbados. Tilting Axis brings together artists, curators and other arts professionals from the region and diasporas to network, speak about best practices, open forums and break out sessions to troubleshoot topics ranging from curatorial practices to creative ecologies, all to better connect our region and professionalise our teams. Bynoe speaks to the meeting’s creation in 2014, and its continued development and iterations over the last four years in its various locations: Barbados, São Paulo, Miami, the Cayman Islands and most recently in the Dominican Republic.
Tonight on Blank Canvas, guest host, Malika Pryor-Martin, filling in for Amanda Coulson, sits down with wood-turner Robin Hardy. They spend the first two segments discussing his process as a professional artisan for nearly 20 years after retiring from a 30-plus career in accounting and insurance.
On tonight’s show we examine two projects that aim to tell the Bahamian story from a different perspective.
First we meet portrait photographer Scharad Lightbourne who is launching “I AM WE.”, a campaign comprised of creative portraits of diverse Bahamian people, based on their background culture and life experiences.
Photography is in focus on tonight’s Blank Canvas, where we meet two young Bahamian photographers with recent exhibitions and a book publication.
Delton Barrett has his first solo show opening up at the D’Aguilar Art Foundation. Entitled “Nurture,” his portraits and conceptual works in this series try to answer questions that explore whether we are the products of nature or nurture. Delton shares how he became interested in photography as a medium and how he taught himself the techniques he uses in his craft today. Follow him on Instagram at delton_b.
On tonight’s Blank Canvas, our host Amanda Coulson, NAGB Director, welcomes Dr. Eddie Chambers into the studio.
Eddie Chambers, the son of Jamaican immigrants, was born in Wolverhampton, England. He gained his PhD from Goldsmiths College, University of London in 1998, for his study of press and other responses to the work of a new generation of Black artists in Britain, which were active during the 1980s.