Stories

Articles

Kendra Frorup’s ‘Domestic Chickens’

If an Entire Population Moves, Is It Still a Nation?: Post-Irma and Post-Colonial Devastation

Talking to the Dead: Tamika Galanis brings Lomax archive materials home

Epistemic and Cultural Violence: Powercutting as Light

‘Picture Nassau’: Capturing and Redefining the Cultural Landscape

Environmental Force: On Abstraction and the Nature of Survival

We Live at the Undersides

Brent Malone’s ‘Metamorphosis’ is the March artwork of the month

Are We One With Nature? G. Paul Dorfmuller’s Nassau Corner

Pasting Colours: Envisioning Alternatives

The Visual Life Of Social Affliction: Structures of Violence in the Caribbean

“Wellington Street Dwelling”: Exploring the Bahamian Vernacular

Apathy, Antipathy, and Action: Political Art and the Potential for Progress

Troubling Narratives: This is how we suffer to remain

Max and Amos: Enchantment and Magical Realism in Service to Freedom

Brent Malone’s ‘Balinese Woman With Flamingoes’

Amos Ferguson’s “Jesus and the Good Semeriton” (nd): The Colour of God and Histories of Faith

The Liberal: Thierry Lamare’s Sincerity in Rendering Bahamian Life

My Mouth is a Heartbreak: Anina Major’s “Wisdom Teeth” (2017)

Earthenware figurines of women, featuring rounded forms, sit on a ledge against a peach-pink wall.

The Black Woman Body Paradox

From the Collection: “Untitled (Boat Scene)” (c.1920) by James “Doc” Sands

Murky Histories and Futures: “Digging Upward in the Sand” (2018) by Plastico Fantastico

Balancing Act: Heino Schmid’s “Temporary Horizon” (2010)

A Garden: Letitia Pratt Creates New Folklore in Response to Biblical Patriarchal Storytelling

This has all been said before: Art, Racism and the words of representation

Beauty in Bain Town: How does Over-the-Hill Fit Into the Bahamian Picturesque?

Welcome to the Past, Present, and Future: A Caribbean Futurist Read of Antonius Roberts’ Mabrika

“I ga’ gee’ you what you lookin’ for!”: Tamika Galanis gets to the heart of the Caribbean’s history of looking

Considering the African Culture: Not forgetting the Asue

Feature from the National Collection: Emancipation Day Boat Cruise

Cultural Development and Investment: The Recognition of Our Cultural Heritage

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

Spirituality without religion and religion without spirituality? The magic meeting of both

Traditional Knowledge Living in the Tropics: Respecting Lifeways

Unearthing: Raising the Voices, Quieting the Noise

From the Collection: Lynn Parotti’s “The Blastocyst’s Ball: A Journey Through the Drug Induced stages of IVF”

From the Collection: “The Deanery” (1979) by Alton Lowe

Breezes through Long Cay. Chapter 1: As Stories Fade