Stories

Articles

Gender and the Dream: Confronting Stereotypes in Black Masculinity

Troubling Narratives: This is how we suffer to remain

The Life and Death of Street Trees: Jenna Chaplin’s call to attention for the importance of street trees for the upcoming NE9

(Un)Monumental: How Do We Re-contextualise Historic Sculptures for Contemporary Life?

Indigeneity and Art: Defining our Values

Gendered Norms and Deconstruction: The Body, the Image, and the Ability to Speak Out for Self

From the Collection: Blue Curry’s Nassau From Above

Owning our Image: Radical reclamation of self

Environmental Force: On Abstraction and the Nature of Survival

Lamenting Slavery: Unearthing our history through art.

’21st-Century Needs’: The cultural task to survive and thrive

Something About Failure: Tessa Whitehead’s intimate questioning on success, failure, and what makes art work.

Traditional Knowledge Living in the Tropics: Respecting Lifeways

Max Taylor’s ‘What to Do?’

From the Collection: ‘Bishops, bishops everywhere and not a drop to drink’ (2003) by Dionne Benjamin-Smith

Mhudda: Jackson Burnside’s socially aware look at the struggles of the Bahamian “everyday”

Civil Engagement as Culture: Unearthing Voices

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action

 From the Collection: “East Street With Donkey and Cart” (1914) by E J Read

From the Collection: Maxwell Taylor’s “The Immigrants No.3” (c1990)

There’s a Man on the Floor: Edrin Symonette’s Man Skin Rug

The Case for Lavar Munroe: The Son of Soil

Dave Smith “Violence, the beauty of paradise”: The art of capturing the lingering impact

The Grave Silence: Sonia Farmer and Shivanee Ramlochan give voice to victims of rape in The Caribbean

Of Beauty, Community, and Healing

Kendra Frorup’s ‘Domestic Chickens’

Villa Doyle and Beyond: Expanding the NAGB’s Footprint

Boundaries, Borders and Brotherhood: “Proxemics: Personal Space/Commanding Stance” (2015) by John Beadle

From the Collection: Michael Edwards’ “Untitled II”

Strange Darknesses: Lavar Munroe’s sinister fantasy creatures in the “specimens” series.

Unpacking Identity with Joiri Minaya

Margot Bethel’s Portal: Unpacking Memories of Womanhood

Returning the Gaze: Melissa Alcena’s work for the NE9 seeks to challenge the gaze on the Black Bahamian body

The God Self: Lessons on Self-Love from Emerging Artist Cydne Coleby

The Architecture of Loss: Memorials, Memento Mori, and the Man from Milton Street

From the Collection: John Paul Saddleton’s “West Hill Hidden Garden”

Sounding the Alarm: Tanicia Pratt’s Blow the Whistle

Colonial Desires in the 21st-Century: Using Our Image Purposefully

Art Centering Woman: HARD MOUT GYAL, GOT A TONGUE LIKE THE OCEAN

Unearthing: Raising the Voices, Quieting the Noise

My Mouth is a Heartbreak: Anina Major’s “Wisdom Teeth” (2017)
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