Stories

Articles

Justin Benjamin Explores Interiority in Vantage

The Visual Life Of Social Affliction: Structures of Violence in the Caribbean

From The Collection: Amos Ferguson’s “Junkanoo Cow Face”

The Moving Image: The First Turn of the Revolution

Aftermath: Field Notes on Loss and Belonging

Cultural Development and Investment: The Recognition of Our Cultural Heritage

’21st-Century Needs’: The cultural task to survive and thrive

The Beauty and Charm of Colonialism: April Bey’s “Power Girl” Series

Searching for Empathy: Revaluing self in relation to others

The Nature of Art: In proverbial bloom

Max and Amos: Enchantment and Magical Realism in Service to Freedom

Art, Culture, and Representation: Reflecting on Self and Nation

Mhudda: Jackson Burnside’s socially aware look at the struggles of the Bahamian “everyday”

Art Centering Woman: HARD MOUT GYAL, GOT A TONGUE LIKE THE OCEAN

A Choice Landscape: The Early Work of the Late Chan Pratt

The art of connectivity: Sinking our roots further down.

To Heal We Must Remember: Katrina Cartwright’s power figure uproots the past

Urban Scrawl: The potential for public art projects in Nassau

A Sustainable Future For Exuma: Learning to live within our means, and with each other as global citizens

From the Collection: Blue Curry’s Nassau From Above

Gaia Reimagined: “Mother Earth” (1992) by Clive Stuart

‘An We is Woman Too?’: Women and Labour in the NE8

Kendra Frorup’s ‘Domestic Chickens’

From the Collection: “Ain’t I A Good Mother?”

The Problems of Paradise: Thoughts on Traversing the Picturesque

Dialect and Diaspora: The Intuitive Art of Joseph “Joe Monks” Weaver

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

The Sea as Life: Cargo and VLOSA

The Liberal: Thierry Lamare’s Sincerity in Rendering Bahamian Life

The Life and Death of Street Trees: Jenna Chaplin’s call to attention for the importance of street trees for the upcoming NE9

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

Timelines: Developing Blackness

Colonial Desires in the 21st-Century: Using Our Image Purposefully

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action

From the Collection: “Untitled (Balcony House on Market Street)” (ca 1920) by James Osborne “Doc” Sands

Balancing Act: Heino Schmid’s “Temporary Horizon” (2010)

From the Collection: Lavar Munroe’s “The Migrant”

Amos Ferguson’s ‘The Queen Staircase’

From the Collection: “Untitled (Boat Scene)” (c.1920) by James “Doc” Sands

Peggy Hering’s “Lilies” (1984): On Being Both Student and Teacher

Climate Refugees: On Becoming Climate Refugees or Building Back Differently

We Lost Two Cultures That Day: Hurricane Irma and the Loss of Cultural Material

The Mark of a Woman: Portraits of black womanhood in the work of Gabrielle Banks.

Epistemic and Cultural Violence: Powercutting as Light

The Straw Paradox