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‘Sponge Yard’ (c. 1870): The Colonial Photography of Jacob Coonley

The art of connectivity: Sinking our roots further down.

Art’s healing properties

Epistemic and Cultural Violence: Powercutting as Light

“Who the Hell Do I Think I Am?” (2012) by Margot Bethel

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

From the Collection: “On the Way to Market” (ca. 1877-78) by Jacob F. Coonley

Pasting Colours: Envisioning Alternatives

“Duran Duran”: Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

The Problems of Paradise: Thoughts on Traversing the Picturesque

We Live at the Undersides

From the Collection: “Cycle of Abuse” (2017) by Sonia Farmer

Traditional Knowledge Living in the Tropics: Respecting Lifeways

Curtain Call for the Colonial in Sanford Sawyer’s Studio Photographs

So Close Yet So Far

Antonius Roberts “Procession of Females in White Uniforms”

A Botanical of Grief: Yasmin Glinton and Charlotte Henay Connect with Ancestors’ Voices and Put Mother Tongue to Poetry

The Grave Silence: Sonia Farmer and Shivanee Ramlochan give voice to victims of rape in The Caribbean

Between the Devil and the Deep Blue Sea: Lavar Munroe deconstructs “The Arrival”

Traversing the Picturesque: A thought

Through the Eyes of a Tourist: Oh Island in the Sun, Funky Nassau

Demure Facade, Colourful History: Sterling Miller’s “Villa Doyle” (ca. 1969)

A Sustainable Future For Exuma: Learning to live within our means, and with each other as global citizens

Allan Wallace’s ‘Let There Be Order’

From The Collection: “Bay Street on Fire” (2002) by Blue Curry

Kendal Hanna’s “Rainbow Explosion”: Finding Self Through Abstraction

Civil Engagement as Culture: Unearthing Voices

Conserving art in the tropical home

From the Collection: ‘Bishops, bishops everywhere and not a drop to drink’ (2003) by Dionne Benjamin-Smith

Painting to heal: Artist Gabrielle Banks lays bare the burdens of her troubled past

Unearthing: Raising the Voices, Quieting the Noise

‘An We is Woman Too?’: Women and Labour in the NE8

A Bahamian Aesthetic: Defining the Local in the Global

Art Centering Woman: HARD MOUT GYAL, GOT A TONGUE LIKE THE OCEAN

The Aesthetics of Debt: Double Consciousness and Vision in the age new a new modernity

Re-Encounter: Thoughts of a Mad Mind

Denis Knight’s Lucayan Woman

How To: The Proper Conservation and Preservation of Paintings

Seeking Divine Creativity: Allan Wallace’s new works revisits his religious upbringing

“John Beadle’s Row Yah Boat: Merrily, merrily, merrily, merrily life is but a dream.’ Wake up!”

Balancing Act: Heino Schmid’s “Temporary Horizon” (2010)

Dialect and Diaspora: The Intuitive Art of Joseph “Joe Monks” Weaver