Stories

Aftermath: Field Notes on Loss and Belonging

Sitting Pretty Political: Amos Ferguson and the Reclining Women of Art History

Lamenting Slavery: Unearthing our history through art.

‘An We is Woman Too?’: Women and Labour in the NE8

Climate Refugees: On Becoming Climate Refugees or Building Back Differently

Dave Smith “Violence, the beauty of paradise”: The art of capturing the lingering impact

We Lost Two Cultures That Day: Hurricane Irma and the Loss of Cultural Material

Troubling Narratives: This is how we suffer to remain

From the Collection: Dave Smith, Let Us Prey, 1984-86

Sinking: Field Notes on Loss and Belonging

Beauty in Bain Town: How does Over-the-Hill Fit Into the Bahamian Picturesque?

Traditional Knowledge Living in the Tropics: Respecting Lifeways

To Heal We Must Remember: Katrina Cartwright’s power figure uproots the past

Antonius Roberts “Procession of Females in White Uniforms”

We Live at the Undersides

From the Collection: Jolyon Smith’s “Transformation” (1987) and imagining Black Bahamian futures

March’s Artwork of the Month—Maxwell Taylor’s ‘Nassau Boy’ (1973)

“The Story of “ETA”: Blue/Green Ragged Island” Ideation in Art and Design

Look, Listen, Live: A Space for Artistic and Cultural Expression

A Repository of Memories

Angelic Remembrance: Antonius Roberts’ memorialises women of faith

Strange Darknesses: Lavar Munroe’s sinister fantasy creatures in the “specimens” series.

The Role of the Arts in Addressing Climate Change

Beyond Objecthood: The Straw Baskets of William ‘Old Iron’ Colebrooke

From The Collection: “Bay Street on Fire” (2002) by Blue Curry

Amos Ferguson’s ‘The Queen Staircase’

Made in The Bahamas: Authentic action, authentic support

Environmental Force: On Abstraction and the Nature of Survival

Dialling Into the Void: Kenneth Heslop’s NELEVEN Portal

How To: The Proper Conservation and Preservation of Paintings

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

The Wisdom of Amos Ferguson: Reflections on “Hard Mouth: From the Tongue of the Ocean”

Owning our Image: Radical reclamation of self

Unpacking Identity with Joiri Minaya

Balancing Act: Heino Schmid’s Temporary Horizon (2010)

From the Collection: John Paul Saddleton’s “West Hill Hidden Garden”

Finding Our Voices: Resisting Violence and Oppression

Care in the Craft: “Young Children” (nd) by Frank Otis Small

Max and Amos: Enchantment and Magical Realism in Service to Freedom

The Moving Image: The First Turn of the Revolution

A Distant Bahamas: “Native Hut” (1915) by Hartwell Leon Woodcock

Through the Eyes of a Tourist: Oh Island in the Sun, Funky Nassau

“Wellington Street Dwelling”: Exploring the Bahamian Vernacular

Curtain Call for the Colonial in Sanford Sawyer’s Studio Photographs

“When the Lionfish Came”: Tamika Galanis Gives Voice to the People of the Reef amid Dangerously Rising Tides

When We Are Like the Trees