Stories

Activism as art, art as activism: How social practice opens dialogue for safe spaces and healing

Under Attack: Averia Wright and the Dualities of Bahamian Identity

Demure Facade, Colourful History: Sterling Miller’s “Villa Doyle” (c. 1969)

A Repository of Memories

Cultivating the Local: In the Wake of Change

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

Mhudda: Jackson Burnside’s socially aware look at the struggles of the Bahamian “everyday”

Check Yourself: Thinking About Stereotypes and Chan Pratt’s Sincerity in Painting Over-the-Hill

The Mark of a Woman: Portraits of Black Womanhood in the Work of Gabrielle Banks

There’s a Man on the Floor: Edrin Symonette’s Man Skin Rug

Murky Histories and Futures: “Digging Upward in the Sand” (2018) by Plastico Fantastico

Sitting Pretty Political: Amos Ferguson and the Reclining Women of Art History

The God Self: Lessons on Self-Love from Emerging Artist Cydne Coleby

A Death Foretold: Whitehead & Pratt on Beauty and Loss

Peggy Hering’s “Lilies” (1984): On Being Both Student and Teacher

A Choice Landscape: The Early Work of the Late Chan Pratt

Boundaries, Borders and Brotherhood: “Proxemics: Personal Space/Commanding Stance” (2015) by John Beadle

From the Collection: “Metamorphosis” (1979) by R Brent Malone