Stories

A Distant Bahamas: “Native Hut” (1915) by Hartwell Leon Woodcock

Through the Eyes of a Tourist: Oh Island in the Sun, Funky Nassau

Dialect and Diaspora: The Intuitive Art of Joseph “Joe Monks” Weaver

Lamenting Slavery: Unearthing Our History through Art

Some (Re)assembly Required: Melissa Alcena’s Tender Look at Black Masculinity

From the Collection: “The Deanery” (1979) by Alton Lowe

So Close Yet So Far

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

If an entire population moves, is it still a nation?: The consequences of censoring self.

Boundaries, Borders and Brotherhood: “Proxemics: Personal Space/Commanding Stance” (2015) by John Beadle

Curtain Call for the Colonial in Sanford Sawyer’s Studio Photographs

Mhudda: Jackson Burnside’s socially aware look at the struggles of the Bahamian “everyday”

Push Out: Jodi Minnis and Ian Bethell-Bennett Investigate the Mythologies and Futures of Gentrification in Over-the-Hill

From the Collection & Into the Void: “Transformation” (1987) by Jolyon Smith

Talking to the Dead: Tamika Galanis Brings Lomax Archive Materials Home

Sitting Pretty Political: Amos Ferguson and the Reclining Women of Art History

The Architecture of Loss: Memorials, Memento Mori, and the Man from Milton Street

The January Artwork of the Month is ‘Beller’