Currently browsing: National Exhibition

Returning the Gaze: Melissa Alcena’s work for the NE9 seeks to challenge the gaze on the Black Bahamian body

By Kevanté A. C. Cash. Melissa Alcena’s work is not for the faint of heart. It is not for those of whom dismiss the work of introspection. It causes a discomfort in self; challenges interior and personal spaces and the world around it, especially if that self exists as a Black body traversing through a “post-colonial” society.  As one of the 38 artists supported by the National Art Gallery of The Bahamas (NAGB) in the Ninth National Exhibition (NE9), “The Fruit and The Seed” Alcena’s work delivered nothing short of expectation. Her interpretation of the exhibition’s thematic manifested as works seeking to return the gaze and dispel the notion of “othering”, because truly, what is a “them”? What is a “they” if we are all experiencing the same aftermath outside of British colonial ruling? “Is the island not 21 x 7 miles even though the archipelago far flung? Why do we act as if we are so far apart?” With her biting and intimate suite of images, Alcena poses these questions.  

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Danny Davis brings a colonial interpretation to NE9’s “The Fruit and The Seed.”

By Kevanté A. C. Cash, NAGB Correspondent. In conversation with the National Exhibition 9 Artist-in-Residence Danny Davis about his work for the upcoming Ninth National Exhibition. The Ninth National Exhibition (NE9), under the patronage of the Hon. Lanisha Rolle, Minister of Youth, Sports and Culture, is scheduled to open on Thursday, December 13th, 2018 at the National Art Gallery of The Bahamas (NAGB) beginning at 6:00 pm. The NAGB will support the work of 38 artists under its theme “The Fruit and The Seed”. One of the artists being Danny Davis, the NE9 artist-in-residence which is supported in partnership with The Current Gallery and Art Studios. Davis is a lecturer at the University of The Bahamas, a chemist turn woodworker, an unorthodox match to say the least. He has lived between Nassau and Freeport for most of his creative career and has been able to draw inspiration for his work from both islands. I sat with him to engage in a rather exciting discourse about his interpretation of NE9’s theme, and how it will be shown through his piece.

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The Life and Death of Street Trees: Jenna Chaplin’s call to attention for the importance of street trees for the upcoming NE9

By Natalie Willis. “Space is not a scientific object removed from ideology or politics. It has always been political and strategic.” – Henri Lefebvre. But how do you strategize something that grows organically? Cities pose that very question for us. Henri Lefebvre, a French philosopher and sociologist with a heavy Marxist influence, was interested in the fabric of our everyday lives and particularly in the ownership of spaces, particularly cities. I’d wager he’d have a field day in Nassau – with our planned and unplanned spaces, historic and new, and that the upcoming printmaking project by Jenna Chaplin for the National Exhibition 9 (NE9) might whet his appetite too.

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NE8 Artist Talk at Hillside House: On Belonging

On Friday, February 24th, the NAGB in collaboration with Hillside House staged a closing event to mark the end of the National Exhibition 8 OFFsite exhibition. The event featured an artists’ talk with participating artists Del Foxton, Keisha Oliver, Alicia Wallace, and Natalie Willis.  The discussion focused on the projects developed for the NE8, which speak to practices that give attention to subjectivities. These include the rise of the woman’s voice in the local creative community and the plight for gender equality in The Bahamas. 

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‘An we is woman too?’: Women and labour in the NE8

t is quite apparent in taking a stroll around the 8th National Exhibition (NE8) that there are a number of works by women, for a start, but also that many of these works by women deal with just that, with womanhood. These works are explicitly centered on the feminist canon of tackling the issue of women’s rights, or more subtly trying to turn our eyes to other aspects of femininity. Take, for example, the work of Averia Wright and her nuanced reinterpretations of our straw-work culture and the feminine, or the collaborative effort of Joann Behagg and Jackie Pinder with their clay tower of faces and chains confronting basic human rights for women and girls.  

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NE8 Closing Event at Hillside House: Belonging

On Friday, February 24th, the NAGB in collaboration with Hillside House will stage a closing event to mark the end of the National Exhibition 8 OFFsite exhibition. The event will feature an artists’ talk with participating artists Del Foxton, Keisha Oliver, Cynthia Rahming, Alicia Wallace, and Natalie Willis.

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