By Letitia Pratt
The D’Aguilar Art Foundation
On a late Monday at the end of May, I sluggishly – by fault of a sleepless travel day – made my way through the airport arrivals in Pointe-a-Pitre, Guadeloupe, unaware of the new ways in which experiencing Tilting Axis 5 (TA5) would change my perspective on many things – on art, the institution, and on my own practice; and how, despite all the harrowing setbacks that I have endured, that it is important to do work in and about the Caribbean.
Before this trip – literally the weekend before – I was … Read more
