We often ask what makes art Bahamian? Is it about living in The Bahamas? Is it about the colour of the sea, the sky, the play of light? Is it the way we capture images of people in their daily lives that is unlike anywhere else, but also similar to other places? Can Bahamian art be transcultural and also Bahamian?
The Harvey B Gannt Centre for African-American Arts+Culture shares: ‘Quilts and Social Fabric: Heritage and Improvisation’, an upcoming exhibition at the centre in North Carolina featuring the work of Bahamian artist Lillian Blades. ‘Quilts and Social Fabric’ runs from July 16, 2016 – January 16, 2017. The Harvey B Gannt Centre for African-American Arts+Culture shares: ‘Quilts and Social Fabric: Heritage and Improvisation’, an upcoming exhibition at the centre in North Carolina featuring the work of Bahamian artist Lillian Blades. ‘Quilts and Social Fabric’ runs from July 16, 2016 – January 16, 2017.
On the evening of Thursday, April 28, the National Art Gallery of The Bahamas (NAGB) hosted the opening of three new exhibitions. On the evening, music played and drums beat out, as talented boys and girls from Rhythm N’ Youth, who are often missing in the real national debate, performed to welcome the souls and soles of the living and the dead. The drums reverberated beyond so many of the other instruments.
Feature Both Sides of the Coin National Art Gallery of The Bahamas · 17 January 2016 There are currently more
This summer, the National Art Gallery of The Bahamas wishes two of its most valued employees farewell as they prepare to take the next leap in professional development.
One of the much-talked about highlights of the National Art Gallery of The Bahamas (NAGB) Mixed Media Art Summer Camp has been the new mural – or, rather, murals – adorning the public wall spaces at the NAGB. As living, collaborative works, the murals have been completed by groups of campers and individual artists, all of whom joined the NAGB for some time during its summer camp, led by Education and Curatorial Support Associate Abby Smith.
So many artists stand on a creative precipice within their lives that many outside of the art world are unaware of. This precipice is embodied by one question: How can I shift from simply making art to making a living?
Speak of the Caribbean to the wider world and pictures of grand palm trees, pristine blue waters and easy breezy island life are imagined. In an exhibition catalogue entitled Infinite Island: Contemporary Caribbean Art, assistant curator at the Brooklyn Museum, Tumelo Mosaka, attempts to deconstruct clichéd notions of Caribbean visual culture by exploring the work of 45 contemporary Caribbean artists.
