Stories

What’s in the frame: Tourism, art, installation and rebuilding the old whore of a body

The Role of the Arts in Addressing Climate Change

From the Collection: Michael Edwards’ “Untitled II”

Chan Pratt’s Work Speaks to the Urbanisation of the Bahamian Landscape

‘Sponge Yard’ (c. 1870): The Colonial Photography of Jacob Coonley

Tender Seedlings: Anina and A.L. Major Reflect on Pain and Love in the Bahamian Diaspora

Reconnecting to the Divine Feminine

Colonial Desires in the 21st-Century: Using Our Image Purposefully

“I ga’ gee’ you what you lookin’ for!”: Tamika Galanis gets to the heart of the Caribbean’s history of looking

Kendal Hanna’s “Rainbow Explosion”: Finding Self Through Abstraction

“Who the Hell Do I Think I Am?” (2012) by Margot Bethel

Lavar Munroe’s ‘Migrant’

From the Collection: Rembrandt Taylor’s Madonna and Child

Unpacking Identity with Joiri Minaya

The January Artwork of the Month is ‘Beller’

Beauty in Bain Town: How does Over-the-Hill Fit Into the Bahamian Picturesque?

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

Are We One With Nature? G. Paul Dorfmuller’s Nassau Corner

The Art of Living in the Tropics, Part Three: Silence

Seeing the God in me: Jalan Harris’s “Self-Pollinate” and Cydne Coleby’s “A God Called Self” works

Grave Silence: Sonia Farmer and Shivanee Ramlochan Give Voice to Victims of Rape in The Caribbean

“Wellington Street Dwelling”: Exploring the Bahamian Vernacular

Re-Encounter: Thoughts of a Mad Mind

Striking the Balance: Reagan Kemp’s Emi

Mhudda: Jackson Burnside’s socially aware look at the struggles of the Bahamian “everyday”

“Burma Road” (c2008) by Maxwell Taylor

Utopian Ecologies: Alex Timchula’s microcosmic garden sculpture for the NE9

From the Collection: Maxwell Taylor’s “The Immigrants No.3” (c1990)

We Live at the Undersides

From the Collection: “The Bussett and the Monkey” (1991) by Amos Ferguson

From the Collection: “The Deanery” (1979) by Alton Lowe

Care in the Craft: “Young Children” (nd) by Frank Otis Small

“The Story of “ETA”: Blue/Green Ragged Island” Ideation in Art and Design

The Mark of a Woman: Portraits of Black Womanhood in the Work of Gabrielle Banks

“Traversing the Picturesque: For Sentimental Value” – The Colonial Gaze

A Bahamian Aesthetic: Defining the Local in the Global

Vulnerable ecologies: This Woman’s Work

Owning our Image: Radical reclamation of self

Sinking: Field Notes on Loss and Belonging

From The Collection: “Bay Street on Fire” (2002) by Blue Curry

The Aesthetics of Debt: Double Consciousness and Vision in the age new a new modernity

The art of living in the tropics. Part II: Hand come, hand go

Re-membering the past: Margot Bethel and Nicolette Bethel take on Transforming Spaces 2015 family-style

How To: The Proper Conservation and Preservation of Paintings

From the Collection: Lavar Munroe’s “The Migrant”

Allan Wallace’s ‘Let There Be Order’

Civil Engagement as Culture: Unearthing Voices

Spirituality without religion and religion without spirituality? The magic meeting of both

A Teetering Bimini: Thinking about The Old Man and the Sea

Finding Our Voices: Resisting Violence and Oppression

Everybody and Dey Grammy

Cultural Development and Investment: The Recognition of Our Cultural Heritage

Antonius Roberts “Procession of Females in White Uniforms”

Beyond Objecthood: The Straw Baskets of William ‘Old Iron’ Colebrooke

The art of living in the tropics: An art of survival?

Dave Smith “Violence, the beauty of paradise”: The art of capturing the lingering impact

Unearthing: Raising the Voices, Quieting the Noise

San Salvador as Culture: Exploring New Economies, Working Against Collapse

MasC Off: NE9 Artists Challenge Social Binary Views on Gender

Considering culture: More than a smile

Brent Malone’s ‘Metamorphosis’ is the March artwork of the month

Max and Amos: Enchantment and Magical Realism in Service to Freedom

‘Slam-Bam’ Sands: ‘The hastily hand-coloured colonial postcards of James “Doc” Sands.’

Ferguson’s Fantastic Dragon: Blending the imagination with the biblical

Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

Amos Ferguson’s ‘The Queen Staircase’