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From the Collection: “Metamorphosis” (1979) by R Brent Malone

Murky Histories and Futures: “Digging Upward in the Sand” (2018) by Plastico Fantastico

When We Are Like the Trees

Sounding the Alarm: Tanicia Pratt’s Blow the Whistle

From the Collection: Chelsea Pottery “A Brief Bahamian History of Clay”

Max Taylor’s ‘What to Do?’

Between the Devil and the Deep Blue Sea: Lavar Munroe deconstructs “The Arrival”

From the Collection: “Poor Man’s Orchid” (1989) by Sue Bennett-Williams

Sorry for What: I am not the sugar in your cup of tea

Boundaries, Borders and Brotherhood: “Proxemics: Personal Space/Commanding Stance” (2015) by John Beadle

Potter’s Cay: Markets and the Importance of Public Spaces

Justin Benjamin Explores Interiority in Vantage

Cultural Heritage & Erasure: “Protecting our inheritance and patrimony”

Made in The Bahamas: Authentic action, authentic support

Hearth and Heart – E. J. Read’s ‘Clay Oven’

What’s in the frame: Tourism, art, installation and rebuilding the old whore of a body

From the Collection: John Paul Saddleton’s “West Hill Hidden Garden”

Art Centering Woman: HARD MOUT GYAL, GOT A TONGUE LIKE THE OCEAN

Re-membering the past: Margot Bethel and Nicolette Bethel take on Transforming Spaces 2015 family-style

(Un)Monumental: How Do We Re-contextualise Historic Sculptures for Contemporary Life?

Amos Ferguson’s “Jesus and the Good Semeriton” (nd): The Colour of God and Histories of Faith

I’s Man: Ian Strachan’s documentary on masculinity in The Bahamas captures the polemics of today’s ‘Man Crisis’.

“Wellington Street Dwelling”: Exploring the Bahamian Vernacular

Antonius Roberts “Procession of Females in White Uniforms”

“Pulling Nr. 1,” 1982. Woodprint by Maxwell Taylor

A Glitch in Time: Who’s in for the Saving?

A Death Foretold: Whitehead & Pratt on Beauty and Loss

Living in the Shadows of Empire: Territories of Dark and Light

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

Peggy Hering’s “Lilies” (1984): On Being Both Student and Teacher

Kendal Hanna’s “Rainbow Explosion”: Finding Self Through Abstraction

We Lost Two Cultures That Day: Hurricane Irma and the Loss of Cultural Material

The Provocative: Drew Weech plays with the history of the nude in Western Art

Kendra Frorup’s ‘Domestic Chickens’

Both Sides of the Coin

From The Collection: “A Native Sugar Mill” (ca. 1901) by William Henry Jackson

We Live at the Undersides

“Five Children at the Water Pump” (1984) by Peggy Hering

Strange Fruit: Kendra Frorup’s Poignant Banana Plumes

From the Collection: “Untitled (Balcony House on Market Street)” (ca 1920) by James Osborne “Doc” Sands

From the Collection: “East Street With Donkey and Cart” (1914) by E J Read

The Weight We Bear: Heino Schmid’s monumental drawings in the NE9

Amos Ferguson’s Junkanoo Cow Face: Match Me If You Can

Antonius, AfriCOBRA, and the Aesthetics of a True-True Bahamian

The Grave Silence: Sonia Farmer and Shivanee Ramlochan give voice to victims of rape in The Caribbean

From the Collection: Rembrandt Taylor’s Madonna and Child

A Sustainable Future For Exuma: Learning to live within our means, and with each other as global citizens

This has all been said before: Art, Racism and the words of representation

Creative Youth: Reevaluating Our Values and the Work of Young People

From the Collection: ‘Bishops, bishops everywhere and not a drop to drink’ (2003) by Dionne Benjamin-Smith

Golden Touch and Go: Jace McKinney’s imagines golden kings and living dangerously in “Trumped” (2013)

From the Collection: “Untitled (Boat Scene)” (c.1920) by James “Doc” Sands

Welcome to the Past, Present, and Future: A Caribbean Futurist Read of Antonius Roberts’s Mabrika

A Botanical of Grief: Yasmin Glinton and Charlotte Henay Connect with Ancestors’ Voices and Put Mother Tongue to Poetry

Through the Eyes of a Tourist: Oh Island in the Sun, Funky Nassau

“Burma Road” (c2008) by Maxwell Taylor

From the Collection: “The Deanery” (1979) by Alton Lowe

The Architecture of Loss: Memorials, Memento Mori, and the Man from Milton Street

Unearthing: Raising the Voices, Quieting the Noise

Searching for Empathy: Revaluing self in relation to others

The Translation Conversation: Migration and Navigating Blackness in Bahamian Womanhood

Pasting Colours: Envisioning Alternatives

Beauty in Bain Town: How does Over-the-Hill Fit Into the Bahamian Picturesque?

’21st-Century Needs’: The cultural task to survive and thrive

“Traversing the Picturesque: For Sentimental Value” – The Colonial Gaze

Striking the Balance: Reagan Kemp’s Emi