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How To: The Proper Conservation and Preservation of Paintings

Troubling Narratives: This is how we suffer to remain

Lavar Munroe’s ‘Migrant’

Seeking Divine Creativity: Allan Wallace’s new works revisits his religious upbringing

The Power of Imprisonment through language: The Eye for the Tropics and Majority Rule in The Bahamas

“Who the Hell Do I Think I Am?” (2012) by Margot Bethel

Dialect and Diaspora: The Intuitive Art of Joseph “Joe Monks” Weaver

A Repository of Memories

From The Collection: Amos Ferguson’s “Junkanoo Cow Face”

From the Collection: Rembrandt Taylor’s Madonna and Child

Art Documenting History: Intersecting complex histories with art

Majority Rule: A Snapshot of Our Identity

From the Collection​: “North Star” (2007-8) by Heino Schmid

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action

Reconnecting to the Divine Feminine

“When the Lionfish Came”: Tamika Galanis gives voice to the people of the reef amid dangerously rising tides

It’s not just black and white: It is also colour, light, shift, and feeling

Spirituality without religion and religion without spirituality? The magic meeting of both

What’s in the frame: Tourism, art, installation and rebuilding the old whore of a body

Peggy Hering’s “Lilies” (1984): On Being Both Student and Teacher

Traditional Knowledge Living in the Tropics: Respecting Lifeways

From the Collection: John Paul Saddleton’s “West Hill Hidden Garden”

The Grave Silence: Sonia Farmer and Shivanee Ramlochan give voice to victims of rape in The Caribbean

“That Vodou that who do?”: Ancestry, heritage, memory, and light in the work of Eric Jean-Louis.

The Weight We Bear: Heino Schmid’s monumental drawings in the NE9

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

Finding Our Voices: Resisting Violence and Oppression

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

“Traversing the Picturesque: For Sentimental Value” – The Colonial Gaze

Unearthing: Raising the Voices, Quieting the Noise

Colonial Desires in the 21st-Century: Using Our Image Purposefully

Made in The Bahamas: Authentic action, authentic support

“Pulling Nr. 1,” 1982. Woodprint by Maxwell Taylor

“Duran Duran”: Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

To Heal We Must Remember: Katrina Cartwright’s power figure uproots the past

The Role of the Arts in Addressing Climate Change

A Distant Bahamas: “Native Hut” (1915) by Hartwell Leon Woodcock

From the Collection: “Untitled (Rake Bird)” by Tyrone Ferguson

Timelines: Developing Blackness

“Burma Road” (c2008) by Maxwell Taylor

“West Street” by Hildegarde Hamilton

Art’s healing properties

Care in the Craft: “Young Children” (nd) by Frank Otis Small

Amos Ferguson’s “Jesus and the Good Semeriton” (nd): The Colour of God and Histories of Faith

So Close Yet So Far

Considering culture: More than a smile

Murky Histories and Futures: “Digging Upward in the Sand” (2018) by Plastico Fantastico

Amos Ferguson’s Junkanoo Cow Face: Match Me If You Can

Epistemic and Cultural Violence: Powercutting as Light

Beauty and Loss in Tessa Whitehead and Chan Pratt’s Work: A Death Foretold, yet Not Dying

“John Beadle’s Row Yah Boat: Merrily, merrily, merrily, merrily life is but a dream.’ Wake up!”

A Bahamian Aesthetic: Defining the Local in the Global

Sinking: Field Notes on Loss and Belonging

Gendered Norms and Deconstruction: The Body, the Image, and the Ability to Speak Out for Self

A Glitch in Time: Who’s in for the Saving?

In the wake of storms:  Moving forward as a nation displaced

The Clapboard House: A Disappearing Relic within The Bahamian Landscape

Dave Smith “Violence, the beauty of paradise”: The art of capturing the lingering impact

A mélange of culture: Prominent intuitive artist documents heritage

Rebirth: Field Notes on Loss and Belonging

‘Slam-Bam’ Sands: ‘The hastily hand-coloured colonial postcards of James “Doc” Sands.’

Cultural Development and Investment: The Recognition of Our Cultural Heritage

Striking the Balance: Reagan Kemp’s Emi

From the Collection: ‘Bishops, bishops everywhere and not a drop to drink’ (2003) by Dionne Benjamin-Smith

Angelic Remembrance: Antonius Roberts’ memorialises women of faith

From the Collection: Blue Curry’s Nassau From Above