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Check Yourself: Thinking About Stereotypes and Chan Pratt’s Sincerity in Painting Over-the-Hill

Potter’s Cay: Markets and the Importance of Public Spaces

Environmental Force: On Abstraction and the Nature of Survival

Pasting Colours: Envisioning Alternatives

The Black Woman Body Paradox

The writing on the wall

The Power of Imprisonment through language: The Eye for the Tropics and Majority Rule in The Bahamas

From the Collection: “Solomon” (2000) by Stan Burnside

(Un)Monumental: How Do We Re-contextualise Historic Sculptures for Contemporary Life?

Re-Encounter: Thoughts of a Mad Mind

Indigeneity and Art: Defining our Values

The Translation Conversation: Migration and Navigating Blackness in Bahamian Womanhood

Beauty and Loss in Tessa Whitehead and Chan Pratt’s Work: A Death Foretold, yet Not Dying

Feature from the National Collection: Emancipation Day Boat Cruise

“The Story of “ETA”: Blue/Green Ragged Island” Ideation in Art and Design

Urban Scrawl: The potential for public art projects in Nassau

The Architecture of Loss: Memorials, Memento Mori, and the Man from Milton Street

Rebirth: Field Notes on Loss and Belonging

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action

In the wake of storms: Moving forward as a nation displaced

Epistemic and Cultural Violence: Powercutting as Light

“Water: The giver and the taker of life”: Edrin Symonette’s “Salt of the Earth”

Utopian Ecologies: Alex Timchula’s microcosmic garden sculpture for the NE9

Brent Malone’s “Seaside Village” is the February Artwork of The Month

Chan Pratt’s Work Speaks to the Urbanisation of the Bahamian Landscape

When We Are Like the Trees

From the Collection: “East Street With Donkey and Cart” (1914) by E J Read

The Nature of Art: In proverbial bloom

Unearthing: Raising the Voices, Quieting the Noise

Push Out: Jodi Minnis and Ian Bethell-Bennett Investigate the Mythologies and Futures of Gentrification in Over-the-Hill

“Burma Road” (c2008) by Maxwell Taylor

From the Collection: “Built on Sand” (2003) by Dionne Benjamin-Smith

Cultivating the Local: In the wake of change

Justin Benjamin Explores Interiority in Vantage

From the Collection: Lynn Parotti’s “The Blastocyst’s Ball: A Journey Through the Drug Induced stages of IVF”

“Who the Hell Do I Think I Am?” (2012) by Margot Bethel

The Mark of a Woman: Portraits of black womanhood in the work of Gabrielle Banks.

Are We One With Nature? G. Paul Dorfmuller’s Nassau Corner

Majority Rule: A Snapshot of Our Identity

A Teetering Bimini: Thinking about The Old Man and the Sea

Boiling: Field Notes on Loss and Belonging

It’s not just black and white: It is also colour, light, shift, and feeling

I’s Man: Ian Strachan’s documentary on masculinity in The Bahamas captures the polemics of today’s ‘Man Crisis’.

Some (Re)assembly Required: Melissa Alcena’s takes a soft lens on Black masculinity

Civil Engagement as Culture: Unearthing Voices

Talking to the Dead: Tamika Galanis brings Lomax archive materials home

Sitting Pretty Political: Amos Ferguson and the Reclining Women of Art History

Breezes through Long Cay. Chapter 1: As Stories Fade

‘Slam-Bam’ Sands: ‘The hastily hand-coloured colonial postcards of James “Doc” Sands.’

Welcome to the Past, Present, and Future: A Caribbean Futurist Read of Antonius Roberts’ Mabrika

Antonius Roberts “Procession of Females in White Uniforms”

Eye on The Bahamas

From the Collection: Blue Curry’s Nassau From Above

Golden Touch and Go: Jace McKinney’s imagines golden kings and living dangerously in “Trumped” (2013)

From the Collection: “Ain’t I A Good Mother?”

The God Self: Lessons on Self-Love from Emerging Artist Cydne Coleby

Kendal Hanna’s “Rainbow Explosion”: Finding Self Through Abstraction

Sinking: Field Notes on Loss and Belonging

Kendra Frorup’s ‘Domestic Chickens’

Field Notes on Planting Seeds in Uprooted Gardens

Dave Smith “Violence, the beauty of paradise”: The art of capturing the lingering impact

If an entire population moves, is it still a nation?: The consequences of censoring self.

The Visual Life Of Social Affliction: Structures of Violence in the Caribbean

From the Collection: “Cycle of Abuse” (2017) by Sonia Farmer

From the Collection: “The Deanery” (1979) by Alton Lowe

The Clapboard House: A Disappearing Relic within The Bahamian Landscape