Stories

Articles

Max and Amos: Enchantment and Magical Realism in Service to Freedom

Angelic Remembrance: Antonius Roberts’ memorialises women of faith

Seeking Divine Creativity: Allan Wallace’s new works revisits his religious upbringing

Traditional Knowledge Living in the Tropics: Respecting Lifeways

Ferguson’s Fantastic Dragon: Blending the imagination with the biblical

The Life and Death of Street Trees: Jenna Chaplin’s call to attention for the importance of street trees for the upcoming NE9

From the Collection​: “North Star” (2007-8) by Heino Schmid

Troubling Narratives: This is how we suffer to remain

The Provocative: Drew Weech plays with the history of the nude in Western Art

Epistemic and Cultural Violence: Powercutting as Light

“The Story of “ETA”: Blue/Green Ragged Island” Ideation in Art and Design

Re-membering the past: Margot Bethel and Nicolette Bethel take on Transforming Spaces 2015 family-style

Conserving art in the tropical home

Earthenware figurines of women, featuring rounded forms, sit on a ledge against a peach-pink wall.

The Black Woman Body Paradox

Under Attack: Averia Wright’s Elevating the Blue Light Special and the Dualities of Bahamian Identity

San Salvador as Culture: Exploring New Economies, Working Against Collapse

The Mark of a Woman: Portraits of black womanhood in the work of Gabrielle Banks.

The Art of Living in the Tropics, Part Three: Silence

The Architecture of Loss: Memorials, Memento Mori, and the Man from Milton Street

A Botanical of Grief: Yasmin Glinton and Charlotte Henay Connect with Ancestors’ Voices and Put Mother Tongue to Poetry

Balancing Act: Heino Schmid’s “Temporary Horizon” (2010)

Care in the Craft: “Young Children” (nd) by Frank Otis Small

The Visual Life Of Social Affliction: Structures of Violence in the Caribbean

This has all been said before: Art, Racism and the words of representation

Made in The Bahamas: Authentic action, authentic support

The Case for Lavar Munroe: The Son of Soil

The Aesthetics of Debt: Double Consciousness and Vision in the age new a new modernity

‘Slam-Bam’ Sands: ‘The hastily hand-coloured colonial postcards of James “Doc” Sands.’

Civil Engagement as Culture: Unearthing Voices

Of Beauty, Community, and Healing

Field Notes on Planting Seeds in Uprooted Gardens

Strange Darknesses: Lavar Munroe’s sinister fantasy creatures in the “specimens” series.

Lamenting Slavery: Unearthing our history through art.

A Glitch in Time: Who’s in for the Saving?

Sounding the Alarm: Tanicia Pratt’s Blow the Whistle

Re-Encounter: Thoughts of a Mad Mind

From the Collection: “Untitled (Balcony House on Market Street)” (ca 1920) by James Osborne “Doc” Sands

Tender Seedlings: Anina and A.L. Major Reflect on Pain and Love in the Bahamian Diaspora

Max Taylor’s ‘What to Do?’

Danny Davis brings a colonial interpretation to NE9’s “The Fruit and The Seed.”

“Wellington Street Dwelling”: Exploring the Bahamian Vernacular

Colonial Desires in the 21st-Century: Using Our Image Purposefully

The Power of Imprisonment through language: The Eye for the Tropics and Majority Rule in The Bahamas

A Repository of Memories

The art of connectivity: Sinking our roots further down.

The God Self: Lessons on Self-Love from Emerging Artist Cydne Coleby

From The Collection: “Bay Street on Fire” (2002) by Blue Curry

Boiling: Field Notes on Loss and Belonging

Murky Histories and Futures: “Digging Upward in the Sand” (2018) by Plastico Fantastico

“Burma Road” (c2008) by Maxwell Taylor

Everybody and Dey Grammy

Indigeneity and Art: Defining our Values

To Heal We Must Remember: Katrina Cartwright’s power figure uproots the past

Timelines: Developing Blackness

The Straw Paradox

‘An We is Woman Too?’: Women and Labour in the NE8

Sinking: Field Notes on Loss and Belonging

“Who the Hell Do I Think I Am?” (2012) by Margot Bethel

My Mouth is a Heartbreak: Anina Major’s “Wisdom Teeth” (2017)

Boundaries, Borders and Brotherhood: “Proxemics: Personal Space/Commanding Stance” (2015) by John Beadle

95%: Jordanna Kelly and Jenna Chaplin’s NELEVEN Installation

From the Collection: “The Deanery” (1979) by Alton Lowe

The Long Eye of Culture: A Mash Up, a Hybrid

Amos Ferguson’s “Jesus and the Good Semeriton” (nd): The Colour of God and Histories of Faith

Environmental Force: On Abstraction and the Nature of Survival

“Prayer in a Dark Place” (2013) by Jace McKinney: Hope in spite of sinking feelings