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The Weight We Bear: Heino Schmid’s monumental drawings in the NE9

Colonial Desires in the 21st-Century: Using Our Image Purposefully

Murky Histories and Futures: “Digging Upward in the Sand” (2018) by Plastico Fantastico

Chan Pratt’s Work Speaks to the Urbanisation of the Bahamian Landscape

From the Collection: Michael Edwards’ “Untitled II”

“Defender of the Faith”: Rembrandt Taylor’s Dragon-slayer.

“Five Children at the Water Pump” (1984) by Peggy Hering

Push Out: Jodi Minnis and Ian Bethell-Bennett Investigate the Mythologies and Futures of Gentrification in Over-the-Hill

From The Collection: “Bay Street on Fire” (2002) by Blue Curry

Searching for Empathy: Revaluing self in relation to others

Timelines: Developing Blackness

The Case for Lavar Munroe: The Son of Soil

Danny Davis brings a colonial interpretation to NE9’s “The Fruit and The Seed.”

Between the Devil and the Deep Blue Sea: Lavar Munroe deconstructs “The Arrival”

Jace McKinney’s Prayer in a Dark Place

Re-membering the past: Margot Bethel and Nicolette Bethel take on Transforming Spaces 2015 family-style

Peggy Hering’s “Lilies” (1984): On Being Both Student and Teacher

This has all been said before: Art, Racism and the words of representation

The Nature of Art: In proverbial bloom

Sounding the Alarm: Tanicia Pratt’s Blow the Whistle

Margot Bethel’s Portal: Unpacking Memories of Womanhood

Art, Culture, and Representation: Reflecting on Self and Nation

Mhudda: Jackson Burnside’s socially aware look at the struggles of the Bahamian “everyday”

Demure Facade, Colourful History: Sterling Miller’s “Villa Doyle” (c. 1969)

Brent Malone’s ‘Metamorphosis’ is the March artwork of the month

The art of connectivity: Sinking our roots further down.

Angelic Remembrance: Antonius Roberts’ memorialises women of faith

Cultural Development and Investment: The Recognition of Our Cultural Heritage

Rebirth: Field Notes on Loss and Belonging

From the Collection: Jolyon Smith’s “Transformation” (1987) and imagining Black Bahamian futures

Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

Considering the African Culture: Not forgetting the Asue

Sitting with the Dead: “Medium,” a show of Bahamian Religion and Spirituality

The Provocative: Drew Weech plays with the history of the nude in Western Art

Striking the Balance: Reagan Kemp’s Emi

The art of living in the tropics. Part II: Hand come, hand go

The Moving Image: The First Turn of the Revolution

The art of living in the tropics: An art of survival?

Environmental Force: On Abstraction and the Nature of Survival

From the Collection: “Cycle of Abuse” (2017) by Sonia Farmer

The Beauty and Charm of Colonialism: April Bey’s “Power Girl” Series

From the Collection: “Untitled (Boat Scene)” (c.1920) by James “Doc” Sands

Something About Failure: Tessa Whitehead’s intimate questioning on success, failure, and what makes art work.

Made in The Bahamas: Authentic action, authentic support

Amos Ferguson’s Junkanoo Cow Face: Match Me If You Can

Finding Our Voices: Resisting Violence and Oppression

Remedies for Remembering: Darchell Henderson’s new mural on Hospital Lane reminds us of our histories of healing.

The Problems of Paradise: Thoughts on Traversing the Picturesque

Field Notes on Planting Seeds in Uprooted Gardens

(Un)Monumental: How Do We Re-contextualise Historic Sculptures for Contemporary Life?

Denis Knight’s Lucayan Woman

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action

Antonius Roberts “Procession of Females in White Uniforms”

“West Street” by Hildegarde Hamilton

Kendal Hanna’s “Rainbow Explosion”: Finding Self Through Abstraction

Amos Ferguson’s “Jesus and the Good Semeriton” (nd): The Colour of God and Histories of Faith

A Body Of My Own: Anina Major reclaims the body

It’s not just black and white: It is also colour, light, shift, and feeling

From the Collection: “Untitled (Balcony House on Market Street)” (ca 1920) by James Osborne “Doc” Sands

Strange Darknesses: Lavar Munroe’s Sinister Fantasy Creatures

Kendra Frorup’s Domestic Chickens

A Death Foretold: Whitehead & Pratt on Beauty and Loss

The Visual Life Of Social Affliction: Structures of Violence in the Caribbean

“I ga’ gee’ you what you lookin’ for!”: Tamika Galanis gets to the heart of the Caribbean’s history of looking

Gendered Norms and Deconstruction: The Body, the Image, and the Ability to Speak Out for Self

Villa Doyle and Beyond: Expanding NAGB’s Footprint