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From the Collection: “Metamorphosis” (1979) by R Brent Malone

To Heal We Must Remember: Katrina Cartwright’s power figure uproots the past

From the Collection: “The Bussett and the Monkey” (1991) by Amos Ferguson

Brent Malone’s ‘Metamorphosis’ is the March artwork of the month

“Burma Road” (c2008) by Maxwell Taylor

Painting to heal: Artist Gabrielle Banks lays bare the burdens of her troubled past

“The Story of “ETA”: Blue/Green Ragged Island” Ideation in Art and Design

Utopian Ecologies: Alex Timchula’s microcosmic garden sculpture for the NE9

Dave Smith “Violence, the beauty of paradise”: The art of capturing the lingering impact

Sorry for What: I am not the sugar in your cup of tea

Colonial Desires in the 21st-Century: Using Our Image Purposefully

Re-Encounter: Thoughts of a Mad Mind

Vulnerable ecologies: This Woman’s Work

The Aesthetics of Debt: Double Consciousness and Vision in the age new a new modernity

Unearthing: Raising the Voices, Quieting the Noise

“Who the Hell Do I Think I Am?” (2012) by Margot Bethel

Care in the Craft: “Young Children” (nd) by Frank Otis Small

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action

“Water: The giver and the taker of life”: Edrin Symonette’s “Salt of the Earth”

Creative Youth: Reevaluating Our Values and the Work of Young People

Of Beauty, Community, and Healing

From the Collection​: “North Star” (2007-8) by Heino Schmid

Climate Refugees: On Becoming Climate Refugees or Building Back Differently

Art’s healing properties

The Long Eye of Culture: A Mash Up, a Hybrid

The Role of the Arts in Addressing Climate Change

A Glitch in Time: Who’s in for the Saving?

Chan Pratt’s Work Speaks to the Urbanisation of the Bahamian Landscape

San Salvador as Culture: Exploring New Economies, Working Against Collapse

Remedies for Remembering: Darchell Henderson’s new mural on Hospital Lane reminds us of our histories of healing.

The Island Repeated: Toni Alexia Roach’s Patterned Approach to Confronting the Past

Potter’s Cay: Markets and the Importance of Public Spaces

Gaia Reimagined: “Mother Earth” (1992) by Clive Stuart

The Sea as Life: Cargo and VLOSA

MasC Off: NE9 Artists Challenge Social Binary Views on Gender

Justin Benjamin Explores Interiority in Vantage

Golden Touch and Go: Jace McKinney’s imagines golden kings and living dangerously in “Trumped” (2013)

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

Look, Listen, Live: A Space for Artistic and Cultural Expression

Cultural Tourism on Exuma: A Gem for Few, a Gem for All

March’s Artwork of the Month – Maxwell Taylor’s ‘Nassau Boy’ (1973)

“Defender of the Faith”: Rembrandt Taylor’s Dragon-slayer.

Murky Histories and Futures: “Digging Upward in the Sand” (2018) by Plastico Fantastico

(Un)Monumental: How Do We Re-contextualise Historic Sculptures for Contemporary Life?

If an Entire Population Moves, Is It Still a Nation?: Post-Irma and Post-Colonial Devastation

From the Collection: “Solomon” (2000) by Stan Burnside

Cultivating the Local: In the wake of change

Kendal Hanna’s “Rainbow Explosion”: Finding Self Through Abstraction

The writing on the wall

From the Collection: Rembrandt Taylor’s Madonna and Child

Sounding the Alarm: Tanicia Pratt’s Blow the Whistle

This has all been said before: Art, Racism and the words of representation

Ferguson’s Fantastic Dragon: Blending the imagination with the biblical

From the Collection: Blue Curry’s Nassau From Above

Feature from the National Collection: Emancipation Day Boat Cruise

Angelic Remembrance: Antonius Roberts’ memorialises women of faith

We Lost Two Cultures That Day: Hurricane Irma and the Loss of Cultural Material

Antonius Roberts “Procession of Females in White Uniforms”

From the Collection: “Let Us Prey” (1984-86) by Dave Smith

So Close Yet So Far

Lavar Munroe’s ‘Migrant’

“Prayer in a Dark Place” (2013) by Jace McKinney: Hope in spite of sinking feelings

Environmental Force: On Abstraction and the Nature of Survival

Eye on The Bahamas

“John Beadle’s Row Yah Boat: Merrily, merrily, merrily, merrily life is but a dream.’ Wake up!”

A Garden: Letitia Pratt Creates New Folklore in Response to Biblical Patriarchal Storytelling