Stories

Articles

Brent Malone’s ‘Balinese Woman With Flamingoes’

From the Collection: “Woman With Flamingoes” (1996-97) by R. Brent Malone

Between the Devil and the Deep Blue Sea: Lavar Munroe deconstructs “The Arrival”

There’s a Man on the Floor: Edrin Symonette’s Man Skin Rug

Conserving art in the tropical home

The Architecture of Loss: Memorials, Memento Mori, and the Man from Milton Street

Adaptability & Draughts(woman)ship: Kachelle Knowles Builds a Practice of Representation That Takes Action

Allan Wallace’s ‘Let There Be Order’

When We Are Like the Trees

From the Collection: Rembrandt Taylor’s Madonna and Child

Cultivating the Local: In the wake of change

From the Collection: Blue Curry’s Nassau From Above

‘Picture Nassau’: Capturing and Redefining the Cultural Landscape

Margot Bethel’s Portal: Unpacking Memories of Womanhood

“Five Children at the Water Pump” (1984) by Peggy Hering

The Life and Death of Street Trees: Jenna Chaplin’s call to attention for the importance of street trees for the upcoming NE9

Utopian Ecologies: Alex Timchula’s microcosmic garden sculpture for the NE9

Justin Benjamin Explores Interiority in Vantage

From the Collection: ‘Bishops, bishops everywhere and not a drop to drink’ (2003) by Dionne Benjamin-Smith

Re-membering the past: Margot Bethel and Nicolette Bethel take on Transforming Spaces 2015 family-style

Everybody and Dey Grammy

Lamenting Slavery: Unearthing our history through art.

A-Figuration: Emerging artist Nowé Harris-Smith’s obscured figures on view at the NAGB

We Lost Two Cultures That Day: Hurricane Irma and the Loss of Cultural Material

Locked in Our Bodies: A Resurrection of Voices

Both Sides of the Coin

‘Sponge Yard’ (c. 1870): The Colonial Photography of Jacob Coonley

From the Collection: Jolyon Smith’s “Transformation” (1987) and imagining Black Bahamian futures

Aftermath: Field Notes on Loss and Belonging

“Duran Duran”: Exploring Themes of Longevity and Survival in Kendra Frorup’s Work

Remedies for Remembering: Darchell Henderson’s new mural on Hospital Lane reminds us of our histories of healing.

The art of connectivity: Sinking our roots further down.

Hearth and Heart – E. J. Read’s ‘Clay Oven’

Ferguson’s Fantastic Dragon: Blending the imagination with the biblical

Villa Doyle and Beyond: Expanding the NAGB’s Footprint

Demure Facade, Colourful History: Sterling Miller’s “Villa Doyle” (ca. 1969)

A Distant Bahamas: “Native Hut” (1915) by Hartwell Leon Woodcock

A Garden: Letitia Pratt Creates New Folklore in Response to Biblical Patriarchal Storytelling

What’s in the frame: Tourism, art, installation and rebuilding the old whore of a body

Amos Ferguson’s “Jesus and the Good Semeriton” (nd): The Colour of God and Histories of Faith

“Pulling Nr. 1,” 1982. Woodprint by Maxwell Taylor

Rebirth: Field Notes on Loss and Belonging

The Power of Imprisonment through language: The Eye for the Tropics and Majority Rule in The Bahamas

Seeing the God in me: Jalan Harris’s “Self-Pollinate” and Cydne Coleby’s “A God Called Self” works

The Grave Silence: Sonia Farmer and Shivanee Ramlochan give voice to victims of rape in The Caribbean

Some (Re)assembly Required: Melissa Alcena’s takes a soft lens on Black masculinity

Unpacking Identity with Joiri Minaya

We Live at the Undersides

The Long Eye of Culture: A Mash Up, a Hybrid

“When the Lionfish Came”: Tamika Galanis gives voice to the people of the reef amid dangerously rising tides

Reconnecting to the Divine Feminine

A Bahamian Aesthetic: Defining the Local in the Global

A Repository of Memories

Gaia Reimagined: “Mother Earth” (1992) by Clive Stuart

From the Collection: Lavar Munroe’s “The Migrant”

’21st-Century Needs’: The cultural task to survive and thrive

Art’s healing properties

The Island Repeated: Toni Alexia Roach’s Patterned Approach to Confronting the Past

Speaking of culture: Thinking about change

Potter’s Cay: Markets and the Importance of Public Spaces

Traditional Knowledge Living in the Tropics: Respecting Lifeways

The Art of Living in the Tropics, Part Three: Silence

Under Attack: Averia Wright’s Elevating the Blue Light Special and the Dualities of Bahamian Identity

‘An We is Woman Too?’: Women and Labour in the NE8

Timelines: Developing Blackness

Danny Davis brings a colonial interpretation to NE9’s “The Fruit and The Seed.”